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record reviews arsis

EL CHUPA COBRAS

S/T
(Acerbic Noise Development)

COG
Course Over Ground
(Moonlee)

BLACK PYRAMID /
ETERNAL ELYSIUM
Two 10"s
(Electric Earth)

ARSIS
We Are the Nightmare
(Nuclear Blast)

STRANGERS
Weight
(Action Man)

PROTESTANT
As Dead As We Look
(Halo of Flies)

EL CUY
S/T 
(World in Sound)
 
SAHG
II
(Regain)
 
MORE REVIEWS

ARSIS

We Are the Nightmare
(Nuclear Blast)

 

This is pretty incredible stuff. As excessive and indulgent as it may seem, Arsis is all about control, about finding a balance in a genre that’s laid as its most eloquent characteristic excessive musicality. It obviously is hard work, there are more solos in one song of We Are the Nightmare than in seven of Yngwie Malmsteen’s (this is an exaggeration for sure), but contrary to the Swede’s constant self-congratulating throbbing, this now quartet adds the wanking in all the right places. Usually, where a verse is only filled through confirming riffs, vocalist and axeman James Malone along with guitarist Ryan Knight craft pivotal sparks. Their shit almost sounds like fireworks in the night; all colorful, all bombastic and yet all so metal at the same time. Arsis’ level of technicality is extreme; as extreme; the band is tirelessly pulling and pushing, stopping and starting, drawing curves in all the suspected and unsuspected places. It’s almost like technical thrash metal for the future, or prog-laden melodic death metal from virtuous minds.

 

Those who were lucky enough to hear Arsis’ previous release United in Regret (out through Willowtip) have already been given the band’s treatment. But We Are the Nightmare (the band’s fifth release) is like United in Regret times four; more technical, more excessive, more violent, faster, better recorded, and clearly the result of better craft. As a result this is a far more satisfying and complete aural experience. 

 

In parts Arsis even reminds of shiny tech black metal bands with the vocals of Malone acquiring a neo necro shine and the music approximating the hectic pace of symphony-less Cradle of Filth or even Emperor. The anally minded may shrug off such comparisons, but several passages bring that ilk to mind.  Their merit is in the songwriting though, as Arsis goes full throttle on all fronts, they also manage to evenly distribute their genres, offering an end product that balances power and melody, and aggression with flowing dynamics.

 

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Read our review of Arsis' United in Regret

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