home   reviews  |  interviews  features  lost & found  |  dvd reviews  |  links   about sparrow  contact us

record reviews batillus  

GIANT SQUID

The Ichtyologist
(Self Released)

ENFORCER
Into the Night
(Heay Artillery)

KILL THE CLIENT
Cleptocracy
(Willowtip)

NORSK SVART METALL
Norwegian BM Compilation
(Godreah)

BATILLUS
S/T
(Self Released)

DEATHSPELL OMEGA
Chaining the Katechon
(Norma Evangelium Diaboli)

BIBLE OF THE DEVIL
Freedom Metal
(Cruz del Sur)
 
SCRIBES OF FIRE
Zauberer
(Self-Released)
 
MORE REVIEWS

BATILLUS
S/T
(Self Released)

Variety is of the essence. Even for an instrumental band as focused on tuning low as Brooklyn’s Batillus, doom is about variety. There is only one master band of monotony and they are named Moss. And for several reasons the world does not need another Moss. Contrary to what many may believe, doom is not about monotony and boring uneventful arrangements.  Far from it, doom is about finding color where it all seems monochromatic. It is about finding grooves where there is an apparently dead tempo.  Doom is about nuances in a black hole. Doom is about distortion and about what you put on top of it. Doom is about slowly transcending…

 

Batillus knows this very well. And that is why the three tunes included in this their introductory EP do not fall into what is traditionally called doom metal. To start with, there is a big dose psychedelia here, and sure Black Sabbath were trippy in their very own way, but for the most part what was known as doom throughout most of the 90’s stirred clear of mind altering sounds. The marriage is perfect. There is something utterly deranged about being outta your mind on drugs and there is also something deranged about spending half an hour bobbling your head to something as slow and rumbling as Batillus. It is both, hedonistic and masochistic.

 

I am really looking forward to hearing what this trio comes up with next. The American doom panorama looks mighty bright. Did you hear that Samothrace record? Fucking amazing. The second song “Make Me an Iron Hand” initially reminded me of them a bit, but that’s just because there are things in common, like the eternally heaviness and the infinite sure ear hammering both bands provide. “Kamala”, the third track, might be the slowest of them all but is also the most fractured and least bold. Once it turns into heaviness, there is little else but volume. However, like with any of the previous two tracks it is worth the wait.

 

This EP can be downloaded for free here!

 

MySpace

Contact us: 
editor@deafsparrow.com