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record reviews batttlefields  

BATTLEFIELDS

Thresholds of Imbalance
(Translation Loss)

CUZO
Amor y Muerte en la Tercera Fase
(Alone)

REACCION PROPIA
Inercia Somatica
(Acclaim)

THE WHORE MOANS
Hello From Radio Wasteland!
(Mt. Fuji)

BIG DEFORMED HEAD
Experimentation With
Masturbation Gone Wrong!
(Sanity Obsolete)

SKELETON OF GOD
Primordial Dominion
(Self Released)

THE FIRSTBORN
The Noble Search
(Major Label Industries)
 
LE FACE
Isolation
(Dead Beat)
 
MORE REVIEWS

BATTLEFIELDS
Thresholds of Imbalance
(Translation Loss)

You’ll need patience for this one. Though some like myself will come to Threshold of Imbalance with the preconceived notion that the songs will take about fifteen minutes just to take off and that shall prepare them for what they are about to face. That said, I am still surprised by how slow the Battlefields guys move their music. They parse their tunes out so far apart that sometimes it even sounds like something went wrong with the mix and whoever was in charge of twisting the knobs did not mix anything. Instead, he just randomly placed one instrument after another.  That said, yes, you’ll need patience. And if you are expecting to be rocked. Go elsewhere. Battlefields is clearly more into creating ambience, than rocking out.

 

Thresholds of Imbalance is a challenge. Centerpiece “The Tresholds” barely moves for three minutes. And when the band decides to pick up the pace is still only to partially reveal volume and textures. Before I get any further I’d like to pat in the back Rob Schmidt and the band for the lo fi sounds obtained. The drums have this acoustic live feel to them that is so not finished product ready. I say that in a good way of course. And the guitars are a tad below normal levels. I say that in a in a good way too. There is a bit of a contrast to this approach. Bands that work their music in layers and strive for atmosphere usually opt for gloss and symmetrical sounds. Not Battlefields, who keep it organic and make music that’s not about destination but about getting places. For them, is the road that matters.  

 

Battlefields work their atmospheres through time. Slowly developing a post rocking sound that had it come out about nine years ago it would have blown minds, this fledging band adopts a seemingly simplistic stance. Battlefields surprise for their simple aesthetics and their unorthodox addition of infrequent black metal vocals.

 

The end product has depth and the band successfully borrows as much from Slint as from Isis. Name dropping aside, Battlefields puts the ball in the listener’s court. You gotta let this stuff wrap you over. These tunes will slowly take you prisoner, like a fly in a spider web.

 

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