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record reviews bison b.c.  

THE DEVIL'S BLOOD

Come Reap
(Profound Lore / Van)

GEISHA
Die Verbrechen der Liebe
(Crucial Blast)

BISON B.C.
Quiet Earth
(Metal Blade)

SERPENTINA SATELITE
Nothing to Say
(Trip in Time)

AHKMED
Chicxulub
(R.A.I.G.)

LYCERGUS
S/T
(Cordial)

DEAD WILL RISE
Entrepreneur
(Twelve Gauge)
 
MOJO JAZZ MOB
Pacific Daybreak
(Swamp Room)
 
MORE REVIEWS

BISON B.C.
Quiet Earth
(Metal Blade)

This is the best Metal Blade signing in a while. Its gruffness and rudeness is a bit out of character for the label, but Quiet Earth is such a solid release it should do nothing but expand the label’s standing in the underground outside the subgenres already conquered. Bison B.C. prove in this first full-length recording that they are capable of plenty. The kind of metal they offer is well-informed of a few genres, but it is decisively one thing; very fucking heavy.

 

Stylistically, their genre hopping and dexterity to alternate heavy pieces with heavier pieces reminds me of early day Baroness and current day Taint. There is a troglodyte aspect to their music that is completely uncivilized. That is to say there is a purity and sincerity to the bluntness of their riffs and the coarseness of the vocals. It’s a dichotomy of sorts, because on one hand Bison B.C.’s metal is totally cavemen-like and on the other it is so well-structured and educated that it is quite advanced.

 

Some of the Bison B.C. members have a hardcore punk past, which may help explain their leanings towards the most hectic rumbling out of control tempos here. But beyond that, Quiet Earth is a cohesive album with some stellar guitar playing, at times as informed by Bay Area thrash as hardcore and crossover.

 

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