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record reviews blood ceremony  

SAMOTHRACE
Life's Trade
(20 Buck Spin)

INTRONAUT
Prehistoricisms
(Century Media)

SUICIDE NOTE
Empty Rooms
(Hawthorne Street)

HEREM
Pulsa diNura
(Rusty Crowbar)

APPOLLONIA
Among Wolves
(Appollonian Industries)

DALI'S LLAMA
Sweet Sludge / Full On Dunes
(Dali's Llama)

BLOOD CEREMONY
S/T
(Rise Above)
 
FUNEREAL MOON
Satan's Beauty Obscenity
(Autopsy Kitchen)
 
MORE REVIEWS

BLOOD CEREMONY
S/T
(Rise Above)

In my humble opinion, Canada’s Blood Ceremony could make good use of the services of an experienced keyboard player. Vocalist  Alia O’Brien is quite the chanteuse and her flute playing skills are quite versatile, but as a keyboard player she leaves a lot to be desired. Let’s just say she’s no Jon Lord. Not even close.  It’s not like Blood Ceremony’s keyboardist can’t play the keys to save her life, but the tonalities she indulges on and the chosen keys she uses do not fit competently the 70’s groove-laden stoner rock of Blood Ceremony.

 

The intent is clear, this Canadian band plays 70’s prog stoner rock not unlike that of Deep Purple and Uriah Heep from back when they were good, so Blood Ceremony can make good use of the expressiveness of an organ.  The esoteric 70’s vibes of Blood Ceremony are perfectly channeled by their inward and always bending music, but the organ (an instrument as typical of 70’s rock as handlebar mustaches) sounds seem haste, just fit for kicks, sprinkled in a hurry, thrown about in adequate measure and for required effect, but they don’t sound like they have been carefully worked.

 

Too bad really, because Blood Ceremony are the wunderkind children of Jefferson Airplane and Uriah Heep, and the world may not know it, but it’s yearning desperately for such a weirdo concoction. The time of witches is now and if O’Brien could concentrate in what she does best then Blood Ceremony could rule at least a little bit more.

 

Some of the songs in this debut remind me of Jex Thoth in their rustic charm, except Blood Ceremony’s music hasn’t gelled completely yet. The songs are a bit green around the edges with the melodies usually stopping short before releasing their full affecting effect.  Blood Ceremony’s spellbinding songwriting wizardry is not that poignant yet. Instrumentally, with the exception of the organ, the three dudes basking in sound are solid, proficient enough, low profile and subtle players focusing on expelling music mysticism, which is great and dandy, but there is too much canoodling around the record to bore the full spell to the listener.

 

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