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record reviews bible of the devil  

GIANT SQUID

The Ichtyologist
(Self Released)

ENFORCER
Into the Night
(Heay Artillery)

KILL THE CLIENT
Cleptocracy
(Willowtip)

NORSK SVART METALL
Norwegian BM Compilation
(Godreah)

BATILLUS
S/T
(Self Released)

DEATHSPELL OMEGA
Chaining the Katechon
(Norma Evangelium Diaboli)

BIBLE OF THE DEVIL
Freedom Metal
(Cruz del Sur)
 
SCRIBES OF FIRE
Zauberer
(Self-Released)
 
MORE REVIEWS

BIBLE OF THE DEVIL
Freedom Metal
(Cruz del Sur)

Chicago’s Bible of the Devil is almost an awesome band. Almost. I may have said the same thing when I heard 2006’s The Diabolic Procession; an album that promised and at the same time delivered but that in the end left you a bit puzzled. A couple of months ago I was jogging when the song “Millenianism” from said album came on my Ipod. Awesome riff.  The kind of guitars that make you jog a little faster. A lot like a jolt of energy. ‘This is awesome’ I thought, but three minutes later before the track had come to an end I moved onto the next tune. The riff had been played to its exhaustion, the escalating song structure and the riff-tastic guitars had flattened and what once was thrilling and exciting had turned into a mild diversion.

 

Bible of the Devil’s penchant for stretching their songs usually over the five minute mark may be a sign that this band likes to give the audience what they want and more, but it also means that their melodies and choruses are played until they become a bit stale. Don’t get me wrong, Freedom Metal is an excellent album and that’s precisely why I want to highlight the negative. Though negative may be too strong a word.  

 

The songs are outstanding, shaped by stellar guitar playing Bible of the Devil makes the kind of metal that manages to be epic, vivid and actual without having to resort to lyrics about dragons, sword fighting and big tities.  Ok, there may be a little of the latter here, but this is metal. Vocalist Mark Hoffman has also improved, now delivering a more assured and powerful performance, and even though his shared vocal harmonies with guitarist Nate Perry could have been polished a little, their classic and pure unadultered zero gimmicks metal is performed with big big fucking balls. But man, as preposterous as this may sound, some of these songs could use a little trimming and that’s why I give it a 3.5 instead of a 4.

 

And one more thing, the song “’Ol’ Girl” is the best tune Phil Lynott never wrote. From the vocals to the gorgeous double guitar tandem, it’s got Thin Lizzy written all over it. And Thin Lizzy ranks way up high in my book and in my Ipod.

 

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