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record reviews born/dead

A STORM OF LIGHT
And We Wept the Black Ocean
(Neurot)

BURMESE / CADAVER EYES
Split
(Heart & Crossbone)

BORN/DEAD
The Final Collapse
(Prank)

TOTIMOSHI
Milagrosa
(Volcom)

SIENA ROOT
Far From the Sun
(Transubstans)

SUBROSA
Strega
(I Hate)

DEAD CHILD
Attack 
(Quarterstick)
 
TIAMAT
Amanethes 
(Nuclear Blast)
 
MORE REVIEWS

BORN/DEAD

The Final Collapse
(Prank)


 

This is fucking awesome. Nothing like a blunt helping of anarcho punk to shake off all that weak goth rock and the forever and ever building moods of post rock bands. Sometimes we just can’t walk in circles or even take a deep breath. Sometimes we just need it all laid out in front of our eyes. Straight up, grotesque and ugly. A dose of reality is all we need to make us realize that, God damned, we live in a horrible place. We are heading down the drain faster than ever and if we don’t annihilate each other completely by 2012, then nature will do its part and make sure half of the earth’s population gets vanished via some act of god catastrophe.   So really, nothing more comforting than listening to a band like Oakland’s Born/Dead, who through relentless riffs and raspy vocals are sure to remind us that yes, it all sucks, it’s all horrible and these are grim times. Humanity is brutal. We suck! To some (like yours truly) that is empowering. If not the message, for sure the music.

 

Born/Dead were formed in 2000 and already has a few full-lengths on their backs along with a split EP with the great Cali melodic punk band Peligro Social. On The Final Collapse the riffs run over and level down everything in sight and the vocals are served up with such in your face assurance we may just as well be rocking to a pissed off dictator.  To get a little more descriptive; the music is super direct; fast tempos break in and establish a brutal pace. Once Born/Dead establish a mood, (very often with a madcap look in the face) there is no way for variation. This is zero gimmicks hardcore punk too with a locked mode that rubs itself against the D Beat of the obvious greats like Discharge. 

 

The songs are relentless and very violent and there isn’t much on the ways of dynamics. No, there is no need for it either. If you want some nuances, shut your eyes, and check out some of the bass work of Wyatt Culbertson. In all other fronts Born/Dead just crush. One more thing to highlight? The production is great. The overall sound of The Final Collapse is professional and keeps stridence to zero. Which doesn’t mean that Born/Dead have gone polished, on the contrary, The Final Collapse sounds mighty strong.

 

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