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record reviews chispas  

EL FESTIVAL DE LOS VIAJES
S/T
(Aquatalan)

DOPPLER
Songs to Defy
(SK)

THE CATALYST
Marianas Trench
(The Perpetual Motion Machine)

CHISPAS
Relax! Nothing is Under Control
(Acclaim)

VIOLATOR
Chemical Assault
(Earache)

SEPULTURA
A-Lex
(SPV)

A FOREST OF STARS
The Corpse of Rebirth
(Transcendental Creations)
 
HAMMERS OF 
MISFORTUNE
Church of Broken Glass / Fields
(Profound Lore)
 
MORE REVIEWS

CHISPAS
Relax! Nothing is Under Control
(Acclaim)

This excellent release by the German American band Chispas is exactly what I needed in order to get back into writing mode. About every third week I get tired from so much heaviness. My ears demand rest or silence for at least two days.  Else, something quick, loud and abrasive usually does the trick. A jolt back to the right mindframe. A shock back to the edge of my seat. Which is exactly what Relax! Nothing is Under Control did for me. Matter of fact, I have been on a Chispas (Spanish for sparks) kick for four days. With no writing and zero webzine preoccupations I’ve listened to it over and over again. And with each subsequent spin their melodies became more obvious and the guitar lines grew as bigger hooks. I grew fonder of their brutish nuances and invigorated by their relentless pace.  This is anarcho punk of the highest order.

 

It was damn near impossible to find information about Chispas. No interviews, just a handful of reviews and no picture of the band. All I know is that they have members living in Germany and in the US and that they formed in 1999, toured Germany, Switzerland and Mexico and released a few splits.   Relax! Nothing is Under Control was recorded in May 2006, issued in the same year by several labels and then the band went kaput shortly after. Also, their MySpace page only lists one friend.

 

Whatever their story is it no longer matters. Relax! Nothing is Under Control is an excellent record. Its eighth songs run rampant at hardcore fast speed and have a pretty melodic angle. There are two vocalists, the female who sounds totally angry and in your face and her male counterpart who sounds more controlled and limited in range and balances things out nicely.  At times they spew their lines together, but mostly they trade ‘em off. The guitars go super fast, small riffs repeated dozens of times in the span of a couple of minutes, zero solos but occasionally a second guitar line elevates the verses, like during “Culture Shock”. This is the good stuff.

 

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