KONGH
Counting
Heartbeats
(Sound Devastation)
CHOOCHOO-
SHOESHOOT
Choose Your Own Romance
(Kythibong)
COFFINS
Buried Death
(20 Buck Spin)
ASRA
The Way of
All Flesh
(Black Box)
ONE STARVING DAY
Broken Wings
Lead Arms to
the Sun
(KNBVI)
OBSKURIA
Discovery of
Obskuria
(World in Sound)
KLIMT 1918
Just in Case We'll Never Meet
Again
(Prophecy)
HEAVY HEAVY
LOW LOW
Turtle Nipples and the Toxic
Shock
(Ferret)
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CHOOCHOOSHOESHOOT
Choose Your Own Romance
(Kythibong)
    
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It
took me a while to get into this band’s music. A couple of
minutes to be more exact. The track that opens this record
(“Copacabana”) seemed at first too simple; a strummed guitar, an
angular tempo, flatly delivered female vocals. Mmmmmhhh. I kinda
wanted to pass. It just didn’t seem to gel. It sounded half
cooked. Like an idea that’s not been materialized to its
potential. All of a sudden I look at the stereo’s timer and I am
already in the fourth track, my foot is stomping on its own, I
am snapping fingers at odd tempo intervals and I am trying to
guess which avenue is Chrystelle the vocalist going to take
next. Choose Your Own Romance had me on my toes. All up
and pacing the room still wondering what was it that
Choochooshoeshoot had that I liked so much.
Well, to be
simple and direct; if you like angular punk rock you can love
these Gallic quartet to death. They could be your favorite
band. But they have a more modern approach than say, the classic
angularity of someone like Wire. There is no groove to their
music, only incessant pounding that by virtue of its own
viciousness little by little gets into you.
It is definitely
going to also appeal to fans of the sounds of the Jesus Lizard
and Shellac too. It’s got that noise ring to them. That approach
where each instrument seems to have a life of its own one minute
and where the music is rather soulless, but very fucking direct.
“Houlette” for instance, is almost jazz in the relationship
between the instruments; drums that sustain, guitars that are
strummed in fast fashion until all they emit is a small wall of
noise, a throbbing bass line only apparently exhausting itself
and the spoken word approach of Chrystelle. Man, this is good.
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