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record reviews dead child

A STORM OF LIGHT
And We Wept the Black Ocean
(Neurot)

BURMESE / CADAVER EYES
Split
(Heart & Crossbone)

BORN/DEAD
The Final Collapse
(Prank)

TOTIMOSHI
Milagrosa
(Volcom)

SIENA ROOT
Far From the Sun
(Transubstans)

SUBROSA
Strega
(I Hate)

DEAD CHILD
Attack 
(Quarterstick)
 
TIAMAT
Amanethes 
(Nuclear Blast)
 
MORE REVIEWS

DEAD CHILD

Attack
(Quarterstick)


 

From the label that brought us Naked Raygun, Calexico and Kepone comes this first full length of  Louisville, KY’s loyal hard rockers/heavy metalheads Dead Child.  The funny thing is despite the fact that I was familiar with the band -as over a year ago I had reviewed their EP- for some reason I was expecting Dead Child to deliver more of a pure stoner rock storm. Maybe my memory fails. Anyways, instead, Attack falls halfway through the big moody chunks of fat stoner guitar riffing and the epic flailing moods of a classic power metal band. There is a bit more of a couple other subgenres thrown around for good effect; but as a whole Attack is surprisingly traditional in all the hard rock/heavy metal sense of the word. Also, that Dead Child counts as a member no other than Slint guitarist Dave Pajo helps makes matters a bit more unusual. But if you think about the fact that when he cured the All Tomorrow’s Parties in 2004 he personally invited Pennsylvania’s rockers Pearls and Brass then you know…Attack is just alright.

 

And it’s not a matter of trueness really. It’s a matter of music. And Dead Child do good iron work through these eleven solid rockers. I don’t necessarily want to say that Attack starts off (“Sweet Chariot”) in metalcore mode, but the jumpiness and inclusive melody of this song creates an impact that is not necessarily descriptive of the rest of the record. Everywhere else, the music stands within walking distance of mid tempo classic doom. Not at all the ultra slow, dead pace or funeral doom so en vogue today. We are talking the 80’s kind of doom that was played by seminal bands like Pentagram, Saint Vitus and Candlemass.

 

By far the most classic element of Dead Child are the vocals of Dahm. He is a real singer indeed. Of the type that’s now missed, because he can actually sing like real vocalists did back in the 70’s and 80’s. His inflexions are great. He doesn’t only carry the tunes, but on occasions steals them, goes off running and disappears in the distance.  Attack is good all around, but also since it is clearly crafted with the past in mind it fails to be outstanding.

 

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