home   reviews  |  interviews  features  lost & found  |  dvd reviews  |  links   about sparrow  contact us

record reviews the devil's blood  

THE DEVIL'S BLOOD

Come Reap
(Profound Lore / Van)

GEISHA
Die Verbrechen der Liebe
(Crucial Blast)

BISON B.C.
Quiet Earth
(Metal Blade)

SERPENTINA SATELITE
Nothing to Say
(Trip in Time)

AHKMED
Chicxulub
(R.A.I.G.)

LYCERGUS
S/T
(Cordial)

DEAD WILL RISE
Entrepreneur
(Twelve Gauge)
 
MOJO JAZZ MOB
Pacific Daybreak
(Swamp Room)
 
MORE REVIEWS

THE DEVIL'S BLOOD
Come Reap
(Profound Lore / Van)

Wicked beautiful record by this Dutch band. Hands down one of the best vintage sounding records of the last few years.  So much indeed you’ll have to watch for cobwebs. The Devil’s Blood bring certain doom-laced 70’s laden bands like Blood Ceremony and Jex Thoth to mind. Though as esoteric sounding as both, more dynamic and up-tempo than the latter and way less clumsy than the former, the real comparison should be made to the Wilson sisters. Yes, the uneven pair who as Heart wrote some powerful hard rock in the 70’s and turned into a cheese balloon in the 90’s, is clearly admired enough to have in these diabolic group a dead ringer of their best era.  Yeah, that and at the start of “River of Gold”, the sublime throbbing bassline reminded me of bands like Jefferson Airplane and even Bad Company. Wow.

 

What’s most interesting is how a band as refined as this one manages to sound haunting without falling into cheap heavy guitars or resorting to cheesy atmospherics. The Devil’s Blood is more about the invisible aura, about the era music like this evokes, about the imagery that comes along. In this way, the listener is forced to retrieve past associations to position The Devil’s Blood to their rightful place.

 

The playing for instance is subtle, the tuning is discreet. For the musicians it’s a matter of taste as the guitars have the same mild witching tone of Witchcraft. A song as expert as expert, knowledgeable of 70’s song structure and gorgeous as “The Heavens Cry Out for the Devil’s Blood” is about control and adhering to parameters as much as it is about paying homage and creating respectful mindful music. When the guitar wails short, the tone isn’t strident, when the vocalist extends a syllable her goal is obviously to serve the song first and foremost.

 

For a five song EP Come Reap is very well-rounded and quite the satisfactory experience. At the end The Devil’s Blood cover Roky Erickson’s excellent “White Faces” and finishes with a beautiful 10 minute song called “Voodoo Dust”. It’s spacey, dusty indeed, and free falling. Frankly, the only problem I find here is that Come Reap is too short of a record. I want more.

 

MySpace

Contact us: 
editor@deafsparrow.com