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record reviews esoteric  

LUSTMORD
Other
(Hydra Head)

SEA SICK
S/T
(Self-Released)

JUNIUS
S/T
(Radar/S.A.F.)

ESOTERIC
The Maniacal Vale
(Season of Mist)

DEATH IN GRACELAND
Gifts
(Tiberius)

SKITLIV
Amfetamin
(Cold Spring)

AMON AMARTH
Twilight of the Thunder God
(Metal Blade)
 
DEADSEA
S/T
(Chrome Leaf)
 
MORE REVIEWS
ESOTERIC
The Maniacal Vale
(Season of Mist)

Whichever way I approach this review it is going to be incomplete. It is going to be incomplete because this UK band is not one to make things small.  Matter of fact, they like the length of their music to be like the sound of their guitars; long, hard and big. Very fucking big. As such, their newest slab of ultra doom is being released in two discs adding up to about ninety minutes of music, but the promos being distributed to the press only contain the first disc. So I am basing this review on four songs that amount to over forty minutes of dense experimental doom. That should say enough about this type of release; Yes, it is massive. And it is slow, and it is rather simple and agonizing.

 

Was it not for the work of Olivier Goyet, the keyboardist in charge of adding the experimental quotient, Esoteric would have a harder time rising amongst other funeral doomsters. The songs in this album move at such a lethargic pace that The Maniacal Vale will be a challenge for those not already trained on the characteristics of the genre. Much of the material is based around the guitar work of Gordon Bicknell and Greg Chandler, who not only lay down some dense unsettling riffs but also add a touch of psychedelia, the likes of which are placed in subtle volume around the fourth minute of “Beneath This Face”.  This playing is bound to be overlooked because that ‘unheavy’ guitar is placed low in the mix. The end result adds to the mystery and will provoke people to question, ‘did I just hear that?’   In this song in particular, Goyet gently touches his keys like its Sunday mass. Eerie indeed.

 

Chandler is also in charge of the vocals. His deep powerful growl dominates this recording, casting an ominous shadow that’s more one dimensional than those heavy doom guitars. Again, Esoteric is a giant band, but beyond their undeniable power, their advantage resides in the nuances of their music. I am just still kinda pissed I am missing the second record.

 

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