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record reviews gaza  

BARONESS
The Red Album
(Relapse)

WARKRIME
Get Loose
(No Way)

AMORPHIS
Silent Waters
(Nuclear Blast)

GODHEADSCOPE
A City Out of Sight
(God is Myth)

TUSK
The Resisting Dreamer
(Tortuga)

HYPNOS 69/MONKEY 3
Split
(Rock n Roll Radio)

GENOCIDE
Apocalyptic Visions 
(Van)
 
HAVOC UNIT
h.IV+
(Vendlus)
 
MORE REVIEWS

GAZA
I Don't Care Where I Go When I Die
(Blackmarket Activities)

I totally admire the dude that's handling the vocals here. Going for an extreme vocal approach is nothing new but getting to this point is not only totally ridiculous but also totally worthy of sincere admiration. Through 10 brooding songs this man goes ballistic, and with a totally raw, and raspy angle the man covers all bases and protects the band behind him. I mean I can only imagine what the audition for this dude was like; he must have delivered half a line before the other members of Gaza looked at each other in disbelief, got on their knees and begged him to accompany them on a Dio cover just to see how he sounded like for real. Once he finished belching the words for "We Rock" they probably would have blown him just so that he’d stay as part of Gaza, which by the way, for a band name totally rocks because is more violent than Prostitute Disfigurement.

Particularly appealing and appalling is the music, which in the totally depressing "Hospital Fat Bags" is slowed enough to punch a whole in your cortex and depress you for a week. Plus the blanket of noise that's laid right underneath the instrumentality offers one more shade of simple fuckery. Some people might want to tag this as grind, and sure, the sheer bestiality sort of grants the tag; but the speed is quite lethargic. Except for moments when the band gets kind of jumpy, which is every 10 seconds in "Gristle", this beats you in slow motion. This is neat, what can I say? I dig it. Pig Destroyer are getting some competition here. Ugly music is sort of being revived in 2006, and crusty kids across the globe will rejoice with shit like this.

By the sixth track, "Slutmaker", these Salt Lake City depressors kind of wake up from hibernation and add some speed along with some groove-laden riffs. It's still totally atonal, and distorted and loaded with feedback and only lasts a couple of minutes and amidst so much weirdness it's sort of their coming out of the grind closet theme but let's just say that as extreme or super extreme music this record is still totally worthy. Even if that dude tearing his vocal chords bails out to start a Hammerfall cover band, this band still rocks.

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