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record reviews gigan  

ACURSED
Tunneln I Ljusets Slut
(Prank)

GIGAN
The Order of the False Eye
(Napalm)

XUR / MICH!GAN
By the Beard of Zeuz
(Exigent)

RED ZONE CUBA
Visitors From Another World
(Hell Yeah)

RUDIMENTARY PENI
No More Pain EP
(Southern)

COLOUR HAZE
All
(Elektrohasch)

DOWNRIVER
Seethin' Heathen
(Self Released)
 
DANTESCO
Pagano
(Cruz del Sur)
 
MORE REVIEWS

GIGAN
The Order of the False Eye
(Napalm)

Not that the signing of a band like Gigan is a total surprise but frankly after witnessing the barrage of gothic, viking and power metal Napalm Records seems to be hooked on as of lately I am quite surprised they opted for a band as metal as this. I mean, a couple of months ago when I got the promo for Katra I really thought the label had bottomed out. Nothing wrong with catering to a wide array of metal sub genres, but please, let’s have some quality control in place. Then Napalm Records signed Stuck Mojo, and there was literally nothing else to say. I quit. Fuck it! 

 

Not since Ahab’s giant spawn The Call of the Wretched Sea had I heard a Napalm release as solid and brutal as this. Sure that Draconian (Turning Season Within) record was pretty cool, but it wasn’t all that brutal and because of the genre that band dwelled in, there was little technique to it.

 

Good to know that Napalm Records is still taking chances. The fact that The Order of the False Eye is being released thru this Austrian label is evidence of that. Then again, so is the fact that they signed fucking Stuck Mojo. 

 

As brutal as Gigan is, it might not be the most bestial band ever signed to this label, but it might just be the most technical, genre-bending and fucked up. Gigan is a trio formed in 2006.  They hail from Tampa and they totally shred. There is not much melody to their tunes, but we are talking ultra brutal music here. There is a bit of death metal, but for the most part Gigan break free from that tag by writing songs that consistently defy boundaries.  The song “Hiding” for instance, is as fucked as a Zappa freakout at its weirdest, except this is consistently metal. It’s based around a swirling psychedelic guitar that moves erratically at odd tempos. The fact that the song is an exercise in finger-freedom and space rock ties Gigan to both; psychedelic rock and jazz. The fact that the technique is impressive and the drumming is syncopated would grant the word progressive, and the fact that throughout the duration of this recording Gigan consistently offers extremely aggressive music grants the word metal. And yeah, the vocals of Randy Piro Jr. are quite frosty, which of course is metal too.

 

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