BARONESS
The Red Album
(Relapse)
WARKRIME
Get
Loose
(No Way)
AMORPHIS
Silent
Waters
(Nuclear Blast)
GODHEADSCOPE
A City Out of
Sight
(God is Myth)
TUSK
The Resisting
Dreamer
(Tortuga)
HYPNOS 69/MONKEY 3
Split
(Rock n Roll Radio)
GENOCIDE
Apocalyptic Visions
(Van)
HAVOC UNIT
h.IV+
(Vendlus)
MORE REVIEWS
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GODHEADSCOPE
A City Out of Sight
(God is Myth)
    
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Some
people have serious doubts as to whether we can tag all these
new wave of drone bands as musical. Without falling into all
that questioning; just because it is atonal and for the most
part lacks rhythms and melodies doesn’t mean it can’t grant and
even demand repeated spins. For some it’s the stuff for
masochists; for others just pretentious blocks of white and
black noise, a mere excuse to sound more artistic than you are
able with your guitar strapped on. Senseless absurdity made
sound. Whatever; A City Out of Sight could be tagged as all of
those or neither of those, and it would still be a damn fine
recording. “Room of Light” for instance does justice to its
name. It wails like a mad mastodon and grows lighter and dimmer
throughout its ten delicious minutes.
Godheadscope is
the work of Matt Rosin (for the purpose of this recording he is
presented as M. Kolophonium) who also plays in his own very own
Cindervoice and in the Polish black metal band Dead Raven Choir.
Now, I haven’t heard that band, but now I am dying to. A City
Out of Sight is simply that intriguing of an album. More
importantly, throughout its extensive drones, and layers of
sound, semi-angelic voices and dead sentence lyrics there is
real work here. Thought and sweat made into functional noise.
Extremities, torso and head; these are all fully-growned and
well-developed in any of the four tracks presented here.
“Joy/Grime” even has some pretty piano played psychedelic drench
of sound. A City Out of Sight is a solid record all around, that
basically proves that the mixture of drone, noise and ambience
doesn’t have to be all that abstract.
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