BONG-RA
Full Metal Racket
(Ad Noiseam)
ROBOTS AND
EMPIRE
Omnivore
(Trip Machine)
NYIA/ANTIGAMA
Split
(SelfMadeGod)
BROWN JENKINS
Dagonite
(Moribund)
SLOTH
A Whole Other World
of Fun
(At War With False Noise)
CAN KICKERS
Live at Lavazone
(Fistolo)
LOOM
Angler
(Exigent)
HATER
The 2nd
(Burn Burn Burn)
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HATER
The 2nd
(Burn Burn Burn)
    
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Some
may remember Hater as the 90’s psychedelic garage project
containing Soundgarden’s Matt Cameron (also of Pearl Jam) and
Ben Shepherd with member of Monster Magnet (John McBain), along
with Jason Waterman and Brian Wood of Devil Head (who is the
brother of Mother Love Bone’s deceased vocalist Andrew Wood).
Back in 1993 Hater released an eponymous debut through major
A&M. Some, like yours truly, may not remember Hater at all. And
that’s ok too, because The 2nd sounds a bit
like a few musicians got together had a bit too much to drink
and smoke got to thinking that maybe jamming for a few minutes
could kinda fun and came up with these half-assed results. Read;
slurred words, lazy playing, generic garage rock chords, tamed
psychedelia. Read; an uncooked stew of Stooges-like lazy
numbers. Not surprisingly; The 2nd is culled
from a series of demos recorded back in 1995; during pre
production for Soundgarden’s Superunknown record when all
these musicians perhaps had nothing better to do than to see
what shit’s up. In other words, I am fairly certain The 2nd
is the leftovers from Hater’s debut.
And what
shit’s up is for the most part highly unimaginative and mildly
poor garage rock. It is not an exaggeration to say that
regardless of who is handling the vocals here for the greater
part most seem to try to be channeling Iggy Pop. But that’s not
the most annoying thing about The 2nd, what
annoys me is how derivative this sounds and that when we take
into consideration that Hater was a project of seasoned
musicians giving free reigns to their imaginations and all they
could come up with was this is a bit sad. “Curtis Bligh” does
the whole Stooges thing to a T and was it not for the existence
of the Detroit wildmen it could be considered as a passable
track. There are a couple of blues based tracks, like the opener
“Try” which is that for a bit and is grunge for another bit.
Also, most of the songs have good parts but as a whole fall way
short. Throughout the album you can sense the power and talent
floating in the air, but it sounds like Hater just took this too
much like a fun project and in return what we get is a few songs
with a lot of unrealized potential.
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