MORKOBOT
Mostro
(Supernatural Cat)
BORIS
Smile
(Southern Lord)
HELLBLOCK 6
Nuclear Age
(World Eater)
AHLEUCHATISTAS
Even in the
Midst...
(Cuneiform)
GLOOMY SUNDAY
Beyond Good
and Evil
(Solitude Prod)
SQUALORA
S/T
(Wantage)
BUSH TETRAS
Very Very Happy
(ROIR)
POPULATION
REDUCTION
At the Throats of Man Forever
(Tankcrimes)
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HELLBLOCK 6
Nuclear Age
(World Eater)
    
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Another
one with killer artwork. It got me thinking about Cannibal
Holocaust and the impression that fucking film got in me when I
watched back when I was about ten years old. I couldn’t eat for
about a week after that one. I revisited the film about three
years ago and I am sure director Ruggero Deodato must be proud.
The film is still as repulsive as ever. That said, Hellblock 6
is as of now, much like the annoying American characters of the
movie, deader than the first Pope. Philadelphia’s Hellblock 6
split up back in April 2006 and Nuclear Age is their last
testament to the metal underground.
Recorded in only fifteen
hours back in 2002, this record rips holes in all the right
places. There is a big quotient of sludge here, except the
guitars don't have that porous sound. On the contrary,
Nuclear Age sounds like chunky servings of raw meat force
fed into your mouth. Shit, does that make sense at all? The
sound is thick, with a throbbing bass that hangs loose and a
robust guitar sound. Don’t like violence? I suggest you turn
around right now and walk away.
Nuclear Age
starts slow, “Turned Insane” has the sluggish tempo of a nasty
stoner band, while on “Go Die” Hellblock 6 picks up the pace and
gives us its own interpretation of Philadelphia D-beat. “Damien”
opens with a sample of the Omen 2, and follows through with what
to this band is a frenetic tempo. On the title track the band’s
stoner influences clearly come afloat; groove-laden passages
give way to entrancing doom riffs. The drowned and filtered
vocals of the aptly named drummer Antman give the whole album an
eerie aura of deception, but man, are these riffs soul bearing.
The title track in question is so massive; it comes to a
climatic end of sparkling pseudo psychedelic solos and basically
all I am left with is a question; how come I’ve never heard of
Hellblock 6 before?
Judging the album by the cover only I feel
like I was tricked into thinking Hellblock 6 were a death metal
combo. Preconceived notions are rarely accurate. As we enter
into “Blue Sunshine/Cast Down” Hellblock 6 seem to head down
south via cry baby heavy riffs, “Lies of the Eye” sweeps with
windy sounds and gentle acoustic strumming, but is only a
gateway to the second side of the record; here Hellblock 6
continues on, forging flawless songs between straight up death
rock (“Lies of the Eye”), quality stoner/sludge and at times, dead on Sleep worship. I never knew
them back then but now I miss them so much.
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