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record reviews hey colossus  

HEY COLOSSUS AND

THE VAN HALEN TIME
CAPSULE
Eurogrumble Volume 1
(Riot Season)

KOLP
The Covered Pure Permanence
(Temple of Torturous)

ARKAYIC REVOLT
Death's River
(Punishment 18)

TYRANTS BLOOD
Crushing Onward Into Oblivion
(Invictus)

TLON
Volumen 2
(Nasoni)

BLACKHORNED
Lost in a Twilight World
(Undercover)

THE HOWLING WIND
Into the Cryosphere
(Profound Lore)
 
ANGEL EYES
And For a Roof a Sky Full of 
Stars / Midwestern
(Underground Communique /
The Mylene Sheath)
 
MORE REVIEWS

HEY COLOSSUS
Happy Birthday
(Riot Season)

So much good music being created around the globe it is impossible to keep up with all of it. It sucks that we only come to know of a great band like Hey Colossus when they are two, three and even four recordings deep into their careers. That I come across bands like this at all, is a chance of luck that I should thank to someone. Too bad, I am still not sure who I should thank though.

 

Anyway, last week was Black Sun with that amazing recording Paralyser and this week is the turn of England’s Hey Colossus whose latest full-length Happy Birthday is a lesson in perfect tonalities and low bottom battering. For the most part Hey Colossus’ music is far removed from that of your average doom metal band. Their songs tend to drone quite a bit and here and there their music drags in funeral fashion but somehow somewhere within their deep cavernous low trembles and the deranged vocals, their tunes manage to groove. The first song “War Crows” is perfectly placed; it’s the friendliest of the bunch and it comes driven by a bass sound Scott Reeder would in his best day envy and is magnified via distorted psychedelic mini chorus voices. To say, this is the grooviest doom/stoner track I’ve heard all year would be a disservice to the talents of this gloomy bunch.

 

Happy Birthday becomes more difficult as we get further into it. The bass sound remains thick and stellar but the songs lose uniformity, adopting a more amorphous and experimental angle. The vocals are deranged throughout; it’s one of the most solid consistencies of the record. They are buried amidst the fattest of sounds, underneath the thickest of tonalities, they are desperate screams constantly figuring out their topic of choice. “Fire Up the Tambourine” sounds like drowning, the invading feedback-like noise sweeps the song awashed but the steady drumbeat and the congruency of the guitar riff make this beauty the second most accessible piece.

 

This South London sextet demands to be heard. I urge you to check this band out. I confess, I went hunting illegally through their past material and was unable to find any of their several 7”s and full-lengths. I feel now forced to buy it through a reliable retailer. Hey Colossus has been together at least since 2003 (their oldest release dates to January 2004) and fans of mammoth sounds have a new mamma to come weep to. Highly recommended.

 

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