THE ENDLESS BLOCKADE
Primitive
(20 Buck Spin)
THE
MELVINS
Nude
With Boots
(Ipecac)
HERMANO
...Into the
Exam Room
(Regain)
UNLEASHED
Hammer
Battalion
(SPV)
RUN YOUR MOUTH
3-Way
HC/Garage Split
(Rumour Control)
CABRóN
Mexican Shoe
Thief
(Robot Enemy)
A HORSE CALLED WAR
Stumble at Every Hurdle
(Calculon)
HEATDEATH
S/T
(Conspiracy)
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A
HORSE CALLED WAR
Stumble at Every Hurdle
(Calculon)
    
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Gimme
the sludge man. And if you’ve been missing the corrosive and
incisive sounds of Eyehategod and, if you’ve dug a little
deeper, Iron Monkey, I can’t do anything else but recommend you
this young UK quintet. Stumble at Every Hurdle is a five
song EP (following their first Ep We Ain’t Proud of This)
that like some of the Iron Monkey material is made of massive
songs. “Son and Heir of a Mongrel Bitch” isn’t just a great song
title, in the hands of this quintet this sludge epic moves from
mid tempo to slow-motion to dead tempo and then picks back up
again and then dies again and then sort of turns itself into a
different song that sprints and dies back and forth for two more
minutes. All this with a guitar sound that is hair-raisingly
electric and vocals that channel distorted images of tragedy.
Sure thing; about eight minutes later you are ready to give shit
up or run for the door.
No joke.
Like most high level sludge, A Horse Called War create
challenging music. It is not to be taken lightly and it is not
for the weakling, the lighthearted or the Charlotte Church fan.
Albums like this are especially designed to punish the listener,
to lock him into submission. Ultimately though, Stumble at
Every Hurdle lacks the most engaging aspects of any of the
Iron Monkey recordings. During the first three songs this band
gives its best to unleash distortion and slow riff after slower
riff of pure discontent. “Live to Loose” is a welcomed change;
it’s got speed and several breakdowns. And it maintains that
tiring pace for a good two minutes before it turns into
nightmarish and perverse doom. Definitely challenging.
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