home   reviews  |  interviews  features  lost & found  |  dvd reviews   links   about sparrow  contact us

record reviews josiah

THE MASS
Holocene #6
(Self-Released)

WACO FUCK
Paranoia is Total Awareness
(Life's a Rape)

THE RED DEATH
Godmakers
(Siege of Amida/Ferret)

MASSACRE OF THE
UMBILICAL CORD /
CONTROL
Split
(Magic Bullet)

BALZAC
Deep Blue: Chaos From Darkism
(Misfits)

RUSSIAN CIRCLES
Station
(Suicide Squeeze)

BLUES & SNAKE
S/T 
(Lockjaw)
 
JOSIAH
No Time
(Elektrohasch)
 
MORE REVIEWS

JOSIAH

No Time
(Elektrohasch)


 

This Leicester, UK trio sure likes their 70’s rock music. Without falling into the same pretension of a say super hip afro doning Wolfmother, Josiah prefer instead to play a quite generic sort of stadium rock that in many passages reminds me of Deep Purple. The problem is, there is no Ritchie Blackmore in sight - not even a Steve Morse in sight - and sure as all the solar planets in the milky way, there is no Ian Gillan in sight either. They might also remind of many other old school rock bands, but for the purpose of this review we’ll stick to Deep Purple.   Josiah can play. No joke can be made about their skills, so why do some of their riffs sound so rehashed? “Looking at the Mountain” and the title track “Not Time” are based around the groovy blues riffs that if garage/doom/stoner/whatever keeps on growing in popularity will soon be blaring of the speakers of every Target and Wal Mart in the nation. It sucks, because it ain’t bad but because it’s impossible for it to pass the test of authenticity, Or because I know you’ve heard it before.

 

And how about “Long Time Burning”, in it this trio bring up the boogey woogie attitude. Some of it is killer; the second layer of guitar come the third minute is a nice touch and the solos throughout the record are way decent, but Josiah’s rock is quite bland. “The Dark” is a calmed rocker, calmed as in docile, as in it’s got nothing to offer. Not even at its wildest rock and roll moment. Which brings me to the vocals; this guy has the pipes, the power, and was blessed with the same classic tone of an Ian Gillan, so why isn’t he putting any of his part? His delivery is flat, he sounds lazy, like he isn’t bothering stretching his limits, like he doesn’t want to improve as a vocalist. Maybe that’s Josiah’s biggest handicap; these trio is too complacent knowing what they are capable of. Realizing that will take way more work.

 

Official Site

MySpace

 

 

 

Contact Deaf Sparrow at editor@deafsparrow.com