TALES FROM THE
CUTOUT BIN VIII
The Record Industry May Be in
Shambles But We Feel No Guilt.

TAMPA: A VERY VERY
CURTAILED HISTORY
And the Current State of Our
Metal Scene.

UNDERGROUND METAL
REISSUES VII
Some Germans, some Brazilians, some Christians, some weirdos walk into a bar...

UNDERGROUND METAL
REISSUES VI
Some Germans, some Brazilians, some Christians, some weirdos walk into a bar..

LOS VIOLADORES
A Retrospective Conversation
with Pil Trafa vocalist of the
Argentinean punk legends.

TALES FROM THE
CUTOUT BIN VII
Eight Old Ones Get Resurrected
From the Can.

UNDERGROUND
METAL REISSUES V
Naglfar, Gorguts, Dark Funeral,
Blessed Death, etc,

BULLDOZER
The Story of the Legendary
Italian Thrash Metal Band

TALES FROM THE
CUTOUT BIN VI
Eight New Heavyweight Cutout
Bin Dwellers.

UNDERGROUND
METAL REISSUES IV
Disincarnate, Paradox,
Quick Change, etc

TALES FROM THE
CUTOUT BIN V
A New Installment in Our
Nobel Prize Winning Series

KIN PING MEH
70's Kraut Prog That Makes
Good Use of Restrain and Puts
the Emphasis in Songrwriting

UNDERGROUND
METAL REISSUES 3
Metal Classics Get the Treatment

MORE FEATURES

Funny how one comes to discover new music. During a recent trip to South America a savvy clerk recommended I purchase a copy of Kin Ping Meh's  self-titled debut album.  I was actually searching for some Groundhogs and Atomic Rooster records, but he insisted.  This kraut prog band is 'buenazo' he said. I followed the tip and dished out about $1.50. It was worth every cent. Kin Ping Meh may be commonly lumped with the progressive German movement of the 70's, but truth be told, their music was not an insatiable display of technique, but of melody and songwriting.  Read on and spread the word....

The career of rock band Kin Ping Meh from Mannheim lasted almost exactly seven years and reached quite a few heights. But it still left the band rather disillusioned in the end. Drummer Kalle Weber's resume from the Spring of 1977: "If you're not a pop star, you're still the asshole."  Together with amateur musicians Werner Stephan (vocals), Joachim Schafer (guitar, piano), Frieder Schmitt (organ piano) and Torsten Herzog (bass), Weber had formed Kin Ping Meh in 1970. The name Kin Ping Meh (meaning "branch of a plum blossom in a golden vase") is taken from a Chinese 16th century novel depicting the life and customs of that time. On September 15, 1970 the band gave their first concert. Over the next months, they took part in seven important talent competitions. They won them all and were offered a recording contract from Polydor. From now on, everything went very quick - the important Sunday paper "Bild am Sonntag" had a two-page report about the band in January and their first single was released in February. 'Everything's My Way' made the Top 5 of various radio playlists and March saw the band tour with The Hollies. In May it was back to the studio to record the second single, 'Everyday'. After guitarist Willie Wagner replaced Joachim Schafer, the band from Mannheim recorded and produced their debut album in autumn 1971, and in December it hit the stores. The band was almost constantly touring at that time and supported acts like Uriah Heep.

1972 was a very good year for Kin Ping Meh. They wrote the music for a drug musical called 'Rausch', composed the soundtrack for ZDF series "Sechs unter Millionen" (Weber said in an interview: "We tried to make good rock music because for us, this job is an important milestone, a big step ahead in our career") and thus joined the short list of German rock bands who had achieved something similar, e.g. Can with 'Spoon', their song for a Durbridge crime movie, or Popol Vuh for the Herzog movie 'Aguirre, der Zom Gottes'. Almost simultaneously, they opened the Sailing Olympics in Kiel, went on tour with Rory Gallagher and Golden Earring, and released their second album, 'No. 2'.  In their annual vote, the readers of magazine "Popfoto" voted them among the Top 5 in the category, 'Most Promising Band'. But they had to pay a high price for constantly being on the road - 1972 saw a drastic change in the line-up. Willie Wagner, Werner Stephan and Torsten Herzog left the band to be replaced by Gerhard "Gagey" Mrozeck, Uli Gross, British bass player Alan Joe Wroe and his fellow countryman Geff Harrison. With this line-up, Kin Ping Meh recorded 'III', the band's third album, in the Summer of 1973. The album featured a wind section and a female choir. It was mainly because of singer Geff Harrison's influence that the band developed a hard rock image. "The people mainly want to really rock, to be happy and to get to see something. And that's all true in our case", the band explained in a 1973 "Musik Express" interview and added: "There is not much demand for space and cosmic rock right now." Kin Ping Meh played concerts with hard rock superstars like Deep Purple and Slade and appeared on a couple of television shows.

Their fourth album, Virtues & Sins (1974), earned them comparisons to the Rolling Stones, Free, The Faces and Spooky Tooth. 1976 saw the release of 'Concrete', a live album that was the last LP under their old recording contract. After the end of the recording contract, Harrison and Wroe left the band. The remaining band members tried a new beginning. With new band members and a new contract with Bellaphon, they recorded Kin Ping Meh (1977), but were unable to continue their success story, mainly because of weak vocal performances. In the Summer of 1977, the band finally disbanded.

Gerhard Mrozeck at first joined a funk rock formation called Ooh La La and later on played very successfully in the bands of Edo Zanki and Herbert Gronemeyer. Geff Harrison started a solo career. He even made two very successful tours through the GDR. November 1982 saw a Kin Ping Meh revival concert at Berlin University, but the new Kin Ping Meh mainly consisted of members of the Harrison Band. Mrozeck and Weber did not take part. Drummer Kalle Weber died of a heart attack in 1995.

DEAF SPARROW Zine would like to thank Mr. Alex Gitlin for granting permission to reproduce this article. Visit his site here.