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record reviews kuolema  

BLACK ANVIL

Time Insults the Mind
(Monumentum)

LOCRIAN
Drenched Lands
(At War With False Noise)

TWEAK BIRD
Reservations
(Volcom)

GOES CUBE
Another Day Has Passed
(The End)

TO THE BONE
Against the Dead Hand
(Rosemont)

SUNNO)))
Monoliths & Dimensions
(Southern Lord)

METALUCIFER
Heavy Metal Bulldozer
(R.I.P.)
 
KUOLEMA
Viinaa Aineita Naisia 2001-2008
(Lady Lasol)
 
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KUOLEMA
Viinaa Aineita Naisia 2001- 2008
(Lady Lasol)

To paraphrase Kuolema’s MySpace biography, ‘this band plays really fast Finnish hardcore. The band formed in 1981, broke up four years later and got back together in 2001’. Apparently they are also notorious for ‘crime and violence and fornication’. Shit, sounds like my kind of band.  And not only because of their anti social leanings but also because their music is quite good. Somewhere in their site it says they also play grindcore, but some of this stuff is too rowdy yet melodically punk for that.

 

Viina Aineita Naisia 2001-2008 naturally includes six different recordings. The first three songs comes from a 2007 session and shows a band dishing out some pretty edgy punk rock. By the time we get to the fourth tune, Kuolema’s grindcore side is more than evident. The recording itself has less shine and the length of the tunes is nothing but short as grind. These are eleven tunes taken of a 2006 7” EP and show a band focusing on maddening speed, voracious vocal rants and crusty hardcore ferocity.

 

Next up are nine songs recorded in 2003. Once again, the sound itself varies. There is hiss all over and the high end takes away from the heaviness. Very little low bottom sounds. This time around Kuolema balance out some of the melodic and raucous punk from the start with the virulent grind from 2006.  The vocals are punk as fuck, so much indeed that they could approximate the angry bedroom-ready edge of a one man black metal unit. Neat as a mangled corpse.

 

By the time we are on the twenty-fifth tune we are listening to the Nitku sessions registered in March 2003. The audio quality has a clearer separation between instruments, like holes of white sound between instruments. There is not a steady sound to this recording, where as some songs sound more underproduced than others. The vocals are even more virulent, dragging words in Finnish and carrying the same caustic spirit of early Amebix.

 

I can’t see how any grindcore and crusty punker could go wrong with Kuolema. Here is a band going for auditory terrorism. More than two decades after their formation they sound as carefree and in your face. The musicianship certainly isn’t any better, and if so, I can’t even begin to imagine how is it that they sounded back in the day. Then again, that’s not the point.

 

“EU” is track thirty-two and the fourteen that follow are culled from the 1st 7” EP sessions from 2002.  Strip the sound from their name, disassociate Kuolema from what we already know and you could bet this is in fact, some unknown black metal band. Definitely, here are the same principles, the same approach but not the same song length. 

The last handful of tracks come from a live Helsinki show from 2008. You can tell it was tiny, as we can hear several people talking this sounds more like a big party than a small show.   Think they are bad shit? Kuolema know their shit enough not to care. This long after they first came around, they haven’t lost one bit of their early spirit. I'd bet my savings that twenty years from now they'll still be sounding the same.

 

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