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UFOMAMMUT:
Veteran Italian Psychedelic Doomsters Finally Bound to Get Stateside Exposure.

SANFORD PARKER
:
The man responsible for some of the most dense sounds in the underground.

BILLY ANDERSON
:
The producer responsible for some of the most emblematic extreme music releases.

LENTO:
Introducing Italy's slow hand purveyors of ambient experimental hardcore.

TORCHE:
Stoner pop? Beach Boys-like doom? Whatever

COBALT:

I don't really consider us black metal in any sense of what black metal is.

DODSFERD:
Motivated by desolation,
despair, hate, irony, death,
loss, betrayal, etc


PYGMYLUSH:
Between the delicacy of
gorgeous acoustics & the
ugliness of noise rock.


TRACTOR SEX FATALITY:

The most active defunct garage band in Seattle answers our questions.

MERCILESS DEATH:
Thrash metal revivalists  
speak out against false metal

JONAH JENKINS:
The man behind the voice of some of the most underrated underground American bands. 

THE PAX CECILIA:
Giving their music away for free. And it's damn good too.  

WORLD COLLAPSE:
Hardcore has always been about self-expression and
that's exactly what we do. 

U.S. CHRISTMAS:
North Carolina psychedelic hard-rockers acquire
'band to watch' status..

INTRONAUT:
The best self-indulgent odd metered prog metal band around.   

GENTLE VEINCUT:
German angular punk rock/post-hardcore for lack of a better term. 

THE INTELLECTUALS:
Italian garage rock you must know. 

NACHTMYSTIUM:
Spearheading a new wave of  extreme American music.  

BARONESS:
Men of a few words. 

MOTHER TONGUE:
On their beginnings, their first record and their first demise. 

FLATTBUSH:
Extreme world music via San  Francisco.

TOTIMOSHI:
Six drummers & four records later the band unleashes its finest.

HOLY HEART FAILURE:
Shitty emo puss-pop bands & a short tale of Wild Turkey.

MORE INTERVIEWS

 
 LENTO:

 
Introducing Italy's slow hand purveyors of
 ambient experimental hardcore. 
                                                                              
                                                                              
 

A few weeks ago I started to dig into the underground Italian rock scene. First, I was surprised by the dirty garage of The Intellectuals, then I fell into the long spell of some obscure 70’s prog bands such as Le Orme and Banco del Mutuo Soccorso. Goblin? Any self-respecting horror fan should know. So when I learned about the SuperNatural Cat label and hit them up for some promos I found three of the most interesting bands (and don’t even talk about the astounding artwork handled by the Malleus Rock Art Lab) I’ve heard in the last couple of years; the massive doom unit Ufomammut, the left-field art/stoner rock of Morkobot and the flawless earthly experimental mood core rock of Lento. So for those of you not in the know, I am more than pleased to introduce to you Lento. Guitarist Lorenzo Stecconi answered our questions.  Read on and spread the word.

 

- The name of the band is Lento. I didn't do enough research, but that means 'slow' in Spanish. Why the name?  

 

Actually it means ‘slow’ in Italian as well.   When we needed to search a name for the band, we finally hook up with Lento because we like the sound of the word itself.  I've just discovered that means ‘flight’ in Finnish.

 

- How did the band come together? Was it easy finding people with like-minded musical taste?

 

We formed in 2004 as Lento, but we're good friends since a long time and we used to play together since 2000 with other projects. In 2005 another guy joined the band, experimenting the three guitars sound. It's really difficult to find some open minded folks to play with. Fortunately, it's not our case, as I said before we knew each other maybe too much...

 

- How has the sound of the band changed/progressed since the beginnings?

 

The first experiments in our sound were involved in a more post-rock oriented form. Basically, the actual Lento sound starts forming in 2005.  We have spent a long time in the studio recording Earthen, and another long span of time in our rehearsal room.  Basically, our last year was totally dedicated to the realization of the album. We must say that just two or three songs in the album were recorded exactly how we played during our rehearsals, some of them were re-arranged due to the unity of the album.  Instead some others have born directly inside the studio, like “Currents”, “Emersion of the Islands” and “Leave”.

 

- How did you get to the conclusion to be an instrumental band? Is music more than enough to transmit whatever you want to transmit? Are there any limitations to having no vocals?

 

It has been a natural process. In our primary line-up one of us used to sing, but slowly we started to use vocals less and less.  We just realized that we don't need a singer, and now we really don't feel the lack of it.

 

- What makes a Lento song? How do you build the music?

 

Songs may be conceived in our rehearsal room. They could come up  from a riff or from a drum pattern, or during the recording process in  the studio. We don't have a classic way of composing.  As I said before, during the Earthen recording sessions we spent a long time looking for the unity of the work. We wanted it to sound like a unitary work and not as a compilation of songs.

 

- Do you guys ever encounter occasions when you finish a song and discard it after coming to the conclusion that it might sound too much like another band?

 

It might happen with some riffs, the selective process is very strictly and usually we don't even finish the arrangement of the song if it doesn't sound good in our rehearsal room.

 

- The influence of bands like Neurosis and Isis is clear, what would you say is the most distinguishable characteristic of Lento's music?

 

First of all, we're instrumental. And our main influence is nature.  We're deeply inspired to the whole thing about earth and nature.

 

- How did you hook up with SuperNatural Cat?

 

They contacted us on MySpace during the studio recordings of Earthen, amazed by "Hadrons". They asked us more stuff and we quickly became good friends.  We're very happy to work with the guys at Supernatural Cat, one of the few really independent labels I guess.  They manage everything regarding us, from booking to artwork, from press to merchandise, and they seem to  really know how to work.

 

- How is the heavy music scene in Italy? Any bands you would recommend?

 

We got some really good bands here in Italy, such as our neighbours Zu (we come from the same little city near Rome), and obviously our labelmates Ufomammut and Morkobot.  I must say that a lot of heavier bands are starting to produce some good music here in Italy, just two or three years ago everyone was looking to sound like Pavement or Sonic youth.

 

- Please list a few records you'd consider as influential in the development of Lento's sound?

 

Just to name a few: Swans - Swans are Dead; Isis - Oceanic; Mare - Mare; Brian Eno - Discreet Music.

 

- Favorite album?

 

Hard question. Probably it will be Brian Eno's Discreet Music, one of the albums I could not listen if I'm not in the right mood.

 

- Not long ago I stumbled upon some pretty good records by Le Orme and Banco del Mutuo Soccorso, are you fans of these bands?

 

In my past I've been into Banco del Mutuo Soccorso a lot, I've even took some guitar lessons from their guitar player when I was younger.

 

- Any old Italian bands you would recommend? Of any genre.

 

Don't forget to mention PFM, probably the best Italian prog band ever.

 

- When in Rome, where can I get the best pizza and the best gnocchi?

 

Ahah, everyone says that it's not possible to have a bad meal in Rome. Just find an old restaurant in Trastevere or Testaccio districts and you'll be satisfied!

 

- What's next for Lento?

 

We're planning to tour Europe for the next fall. Actually we're promoting the album all across Italy and we're starting to write down some new songs.

 

Official Site

MySpace

Read our review of Lento’s Earthen.

Contact Deaf Sparrow at editor@deafsparrow.com