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record reviews moonspell

MOONSPELL

Night Eternal
(SPV)

WETNURSE
Invisible City
(Seventh Rule)

PANZER
Masse Kind
(Chaotic Underworld)

THE CARBONAS
S/T
(Goner)

GRAVE MAKER
Bury Me at Sea
(Think Fast!)

OMEGA MASSIF
Geisterstadt
(Radar Swarm)

ICOS
Fragments of Sirens
(Alerta Antifascista)
 
DISTURBING 
FORESIGHTS
De-Grunged 
(Deity Down)
 
MORE REVIEWS

MOONSPELL

Night Eternal
(SPV)


 

I know this Portuguese band never went away, but I was so fond of their classic Wolfheart that after a couple of heart crunching spins of Irreligious I vowed never to listen to them again. Strangely, I kept my word until this week when catching the buzz created by Night Eternal I decided to give Moonspell another chance. I know, I must have missed a few good songs, but like Pee Wee Herman said after getting caught with the hand on his penis, ‘such is life, sometimes it fucking sucks’

 

Before kissing Moonspell’s ass I’d like to mention that while listening to this record Tiamat came to mind. Not because like Night Eternal, their latest offering (Amanethes) also slayed. On the contrary, Amanethes was so weak that I established a relationship between these two because while Moonspell has been able to revive their career by literally retreating to their early days’ primal power, Tiamat has also gotten more violent but unable to shake their romantic penchant for cheese those Swedes are these days stinking ass.

 

In 2007 Moonspell re-recorded a few songs from their 1993 EP Anno Satanae and issued them as Under the Moonspell.  Still all pissed off at them for having included those female vocals that sounded like corny music for manga cartoons on Irreligious I never got around to checking it out. Apparently that last recording revived in Moonspell the brutality of days of yore and that spirit has filtered through Night Eternal.

 

This time around Moonspell doesn’t sound like they did circa Wolfheart. Aided by producer Waldemar Sorychta, Moonspell just sounds much more professional; bigger, better, grander, and in some passages somewhat majestic. Vocalist Fernando Ribeiro sounds like he just swallowed a bull. His vocals are gigantic and, discounting counted occasions, have nothing of that pseudo tenor charming man gimmicky angle he used in Wolfheart and, I bet, posterior albums. Now, he simply delivers brutal vocals and when not he is kinda speaking. And even when he is accompanied by female operatic vocals like is the case of “Scorpion Flower”, it’s good enough to send shivers up your rectum.

 

Night Eternal isn’t exactly black metal. But the band has certainly upped the ante in all metallic matter of speaking. Their eloquent melodies are still here, and all that gothic romanticism that seemed to embellish their past endeavors is also present, except nowadays these Portuguese men sound like pissed at the moon lycanthropes. I am so glad these guys are back. Let’s never fight again.

 

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