CRIME
IN STEREO
Crime in
Stereo is
Dead
(Bridge Nine)
COLISEUM
No
Salvation
(Relapse)
TERHEN
Eyes
Unfolded
(Firebox)
OXBOW
The Narcotic Story
(Hydra Head)
THESE ARE:
Scare Tactics
(Hold True)
TOMAHAWK
Anonymous
(Ipecac)
CAPITAL
Homefront
(Revelation)
GET BACK UP
Weathering the Storm
(Organized Crime)
MORE REVIEWS
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OXBOW
The Narcotic Story
(Hydra Head)
    
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Mr
Johnson may be headed to a place where not many are exactly
welcomed. The sort of place where bad shit happens. The place
where one inadverdently ends up taking the starring role. To get
there, you have to descend, so the expressive, hushed,
suppressed, mumbled vocals of Eugene Robinson have little to do
in the way of telling a straight story. But the story is told;
The Narcotic Story is in fact quite blunt in its ‘take
you there’ feeling. Each one of the nine cuts contained here
– including the 0:42 long intro “Mr. Johnson” sounds like a
moving chapter, an ever evolving setting that may be taking
place in reality or inside a body, a head to be more precise. A
trippy and unequivocal transfixion through six minute songs of
exorcising vocals, yelping guitars that constantly segue into
bitter, obscure and bitter passages.
One thing you
have to give to Oxbow is how ambitious and how sincere they are.
For a band going for this scope, and to cover such range while
purposely limiting themselves in their choices of instruments
Oxbow simply seems to be playing their cards with a short sleeve
on. “She’s a Find” has orchestration and it’s quite gorgeous;
but contrary to what most experimental bands do, Oxbow pulls
back and uses all the instruments with a purpose in mind. Their
usage is never overplayed or overexposed, and more importantly
the band strikes all the right chords. There is much in the way
of feeling transmittal here. The album’s title indicates a
bigger purpose, that of a linear story throughout the album, but
fortunately for those with a short attention span, The
Narcotic Story also works in slices.
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