POMBAGIRA
The Crooked
Path
(Withered Hand)
REINO ERMITAñO
Rituales Interiores
(I Hate)
HARVEY MILK
Life...The
Best Game in Town
(Hydra Head)
CAPILLARY ACTION
So
Embarrassing
(Pangaea)
STALINGRAD
S/T
(Self-Released)
SLOW HORSE
Rusher
(Sophomore Lounge)
MAR DE GRISES
Raining the Waterhearts
(Firebox)
BIGELF
Cheat the Gallows
(Custard)
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POMBAGIRA
The Crooked Path
(Withered Hand)
    
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I
know. I never stop kissing ass of all those small labels still
battling for metal in such an adverse musical panorama. I’ll
never get tired of it. Especially when they do such a good job
packaging the music as if there still were enough of us in the
know that music is made and still released in bulk and not by
singles only. Now is the turn of England’s Pombagira who are
releasing their debut recording The Crooked Path as a
double CD. Yes, a fucking double disc! And to sprinkle the
music with enough enticing visuals, The Crooked Path
comes with a six page booklet filled with lyrics and suggestive
artwork. I know, what’s new with that? Nothing really, but that’s
becoming a bit of a rarity these days of digital everything.
Anyway,
Pombagira don’t fuck around. They waste no time in taking their
time. The first disc packs only three songs in the span of
forty-eight minutes. You do the math while I drink my tea
and get my teeth kicked in by the basic as all fuck construction
of “Castdown Earthbound”. It is what it is. And what it is is
doom at the first grade level. The first song, just like “Defiled
Throne”, has got such girth and humongous bottom-feeding sound
it’s simply inhuman, headache inducing aural masochism. It’s
doom of the most vile kind where the drone-ish tone is almost all that
matters and the mean spirited jamming of a tune as the blunt and
in your face simple “Defiled Throne” serves to remind you that
first grade simplicities pack a wallop better than all the
technicality of the metal world. The vocals
are pure agony. Spewed with a seemingly blown throat, vocalist
and guitarist Pete does his best to channel excruciating pain.
It’s hard to put doom this strict into context. Frankly, this is
so doom I am starting to feel seasick from all those small
motions these songs provoke. When the subgenre is played the way Pombagira plays it, the music is so excruciatingly slow it can
be rather boring. It rocks so slowly, it’s almost as if it was
being moved by vast ocean waters. So it may just be better
to take it small doses.
The second
disc has two songs and it runs at over thirty-six minutes. Once
again, you do the math. The songs are overtly long, and when you
take into consideration the simpler than simple approach you
realize that sitting through material this long is more of a
challenge than anything else.
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