DEAD
HOOKERS
The
Burial/The Rebirth
(Dead Beat)
BIRD EATER
Utah
(Exigent)
JESU
Lifeline
(Hydra Head)
EVILE
Enter the
Grave
(Earache)
STINKING LIZAVETA
Scream of the
Iron Iconoclast
(At a Loss)
WOLVES IN THE
THRONE ROOM
Two Hunters
(Southern Lord)
RED FANG
S/T
(Wantage)
PURE SOUNDART
Emo is Dead
(Lockjaw)
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PURE
SOUNDART
Emo is Dead
(Lockjaw)
    
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That’s
quite the pretentious fucking moniker, isn’t it? It’s almost too
big for this band. Who by the way seem to have all the good
intentions, and even realize a couple of mid-size
accomplishments through consistent songwriting, but who
unfortunately fall short on the latter half of this recording.
It doesn’t help that we are only talking about an EP, and we all know
that if you can’t make five good songs, then you are in trouble.
You are in real big trouble. First thing that popped into mind
was; The Mars Volta. Now, to simply be associated with them by
merit of your own songwriting, should serve as a compliment. The
first cut (“A Silent Fiction”) is actually excellent. Three
minutes and thirty-two seconds of promise; elaborate guitars
that fall under all the ‘post-something’ tags, as long as
they serve to describe the word heavy and progressive. It is
clear where these young Swiss men are getting their inspiration
from but with songs this solid who am I to argue?
Emo is Dead,
as a title, it’s fucking great. It’s another bit of a pretentious
statement, as it directly alleges that Pure Soundart may have
had something to do with the sub-genre’s demise. But with tracks
as lazy and uninspired as “Pretty Demon Create” these boys
aren’t going to signify nothing more than a light and buffable
scratch. Yes, only three songs into this serving and we are
already receiving a bit of generic quite emo-ish hard rock. More
importantly, the vocalist is decent enough when dropping his
lines in regular manner. At times though he stretches his
ability way beyond his possibilities and range and he comes out
sounding like a chicken on a chokehold. There is promise here,
but Pure Soundart isn’t there yet. Their sound needs to gel and
their songwriting needs to grow beyond the point where their
admiration (for The Mars Volta) and their past (pure emo, and I
can only assume) is all there is to talk about.
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