LENTO
Earthen
(Supernatural Cat)
END OF LEVEL
BOSS
Inside the Difference Engine
(Exile On Mainstream)
ISOLE
Bliss of
Solitude
(Napalm)
ACID
MOTHERS TEMPLE
& THE
MELTING PARAISO U.F.O
Nam Myo Ho
Ren Ge Kyo
(Ace Fu)
O'DEATH
Head Home
(Ernest Jenning)
TRAP THEM
Seance Prime
(Deathwish)
DYSRHYTHMIA/ROTHKO
Fractures
(Acerbic Noise Development)
THE FIRE THE FLOOD
Truth Seekers
(No Sleep)
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PYGMY LUSH
Bitter River
(Robotic Empire)
    
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This
is one of those bands of which I could confidently say….’I
didn’t know what to make of them’. Of course, translated to
easy English that means ‘I fucking loved it’. Bitter River
is all over the place and by that I don’t mean that these dudes
are in competition against Mr Bungle to see who goes from circus
music to tango faster. I mean that Pygmy
Lush have two very distinctive sides, one more beautiful than
the other. Which is which? It depends. “Nonsensical Tambourine”
starts off via some destructive and anarchic noise rock. There
is a big quotient of punk rock in it. Enter the gentle acoustic
chords of the second track “Hurt Everything” and the band’s
splitting personality accentuates that punk attitude even more.
Is it all about laissez-faire? Do as you please, Sterling VA’ s
Pygmy Lush certainly take that at face value.
“Hurt
Everything” is gentle, soft, and alive. So alive indeed you can
hear the organic sounds of more people in the room if you check
this out with headphones. This stays intimate with “Universal
Order at Omph”, another acoustic track that moves one pace at a
time. But the band’s destructive nature couldn’t hold itself
back for much longer, “Slave to a Teenager” is not only a
terrific title to a hideous idea, but an electrically loud song
with heavy guitars and a permanent screech, like the noise of
metal colliding with…more metal. Can I say grunge without
offending anyone? No shit, it is there, it is here, a disheveled
level of freedom with the same punk aesthetics. And then one of
the most beautiful and haunting tunes I’ve had the pleasure of
listening to in a looooong time, “Big Black River”. It’s like
Leonard Cohen, was he a bit more of an extrovert and had his ass
not been covered with superstars’ kisses. Then things get ugly
again, (but do not forget that ugly is good), “Send Bombs” is
like a really really lazy fat dude. Try to make him walk when
all he wants to do is lay down. Like a beast dragging its feet
the song pushes itself apparently through treacherous terrain.
The rest of the record follows suit and never breaks of those
two extremes, between gorgeous and haunting acoustic cuts and
ugly, noisy and heavy stabs.
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