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record reviews red zone cuba  

ACURSED
Tunneln I Ljusets Slut
(Prank)

GIGAN
The Order of the False Eye
(Napalm)

XUR / MICH!GAN
By the Beard of Zeuz
(Exigent)

RED ZONE CUBA
Visitors From Another World
(Hell Yeah)

RUDIMENTARY PENI
No More Pain EP
(Southern)

COLOUR HAZE
All
(Elektrohasch)

DOWNRIVER
Seethin' Heathen
(Self Released)
 
DANTESCO
Pagano
(Cruz del Sur)
 
MORE REVIEWS

RED ZONE CUBA
Visitors From Another World
(Hell Yeah)

Very little is known of the underground kiwi rock scene.  So as a sort of novice to this country’s talent I am glad Red Zone Cuba is my introduction. This band presents such a dirty and disheveled rock and roll proposition it’s actually quite refreshing. Especially considering how much I am used to complaining about clean, safe and friendly rock and roll bands. Visitors From Another World, is almost the antithesis of polished commercial FM radio rock and roll; it’s angry, is loud, is rough and violent, it moves and stumbles with a drunken pace, it’s distorted and is not afraid to play around with other rebel genres like rockabilly and punk. In short, Red Zone Cuba is the type of band that could find a nice comfortable home in the awesome world of Dead Beat records.

 

Very much like the principles that reign the b-movie world (check out the cover artwork), the music of Red Zone Cuba is about taking matters into your own hands. This is rock and roll based on will and enthusiasm, it’s about a quick feel, and fast rhythms. It’s not about hoping to get funds, it’s lo fi because it has no hopes of making millions and it has no hopes of making millions because it’s too clever and violent for the masses. The devil might be in the details but Red Zone Cuba proves that the devil is just as comfortable in an underground garage.

 

The songs on Visitors From Another Planet run quite the gamut but always stay virulent; from the garage punk blues of “Roll On” with its obsessive harmonica, belligerent screams and distorted guitars to what sounds like a Ramones tribute with the ‘1,2,3,4,’ starts off and its ‘gabba gabba hey’ chorus in “Leave It All Behind” and the surf guitars and non-stop movie samples reminding us that even in New Zealand someone was listening to the Bomboras and Man Or Astro-man?

 

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