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record reviews sahg

EL CHUPA COBRAS

S/T
(Acerbic Noise Development)

COG
Course Over Ground
(Moonlee)

BLACK PYRAMID /
ETERNAL ELYSIUM
Two 10"s
(Electric Earth)

ARSIS
We Are the Nightmare
(Nuclear Blast)

STRANGERS
Weight
(Action Man)

PROTESTANT
As Dead As We Look
(Halo of Flies)

EL CUY
S/T 
(World in Sound)
 
SAHG
II
(Regain)
 
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SAHG

II
(Regain)


 

As much as I love black metal, I know that if I had been pivotal part of one of the most important Satanic Norwegian bands in history sooner or later I would have seen no other way to expand my horizons than trying my hand at other genres. They say that ‘the devil sets you free’, well sure man, but ‘trooness’ to the loyalists and adherence to the horned one (musically speaking) also confines you to certain parameters that in the end shorten your vision, ambition and limits. And the same could be said about many of the other sub genres of metal. In this case, the trio known as Sahg knows all these too well, as it features members of no other than Gorgoroth (bassist King Ov Hell goes by the shortened King), Manngard and Audrey Horne; all of which play metal but not of the doom-laden kind. What all that guarantees us is that Sahg as a band should not disappoint based on the member’s past merits. But it also raises expectations.

 

Musically speaking Sahg never lets up or misses an opportunity to show us that heavy rock, of the classic and quasi-doom kind, may just be the best way to gel up all our emotions. And what does that mean? Not even I know, but that sounds kinda cool. In a nutshell though, Sahg is apparently about going back to the 70’s, when there was only one true kind of heavy rock, and it was purely based around the blues. Think classic like Led Zeppelin (though Sahg doesn’t sound half as ambitious), Deep Purple (of whom Sahg totally ignores the prominence of keywords) and dozens of others now considered stoner rock obscure acts. So this now trio goes thru stoney mid tempo bluesers like  “Star-Crossed”, an almost epic cut  that midway through packs a gallop worthy of Captain Beyond and Sir Lord Baltimore, the watery chords and psychedelic smear of “Escape the Crimson Sun” and the NWOBHM of “Pyromancer”. II is good and is definitely a not so strangely confident release.  

 

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