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record reviews skitliv  

LUSTMORD
Other
(Hydra Head)

SEA SICK
S/T
(Self-Released)

JUNIUS
S/T
(Radar/S.A.F.)

ESOTERIC
The Maniacal Vale
(Season of Mist)

DEATH IN GRACELAND
Gifts
(Tiberius)

SKITLIV
Amfetamin
(Cold Spring)

AMON AMARTH
Twilight of the Thunder God
(Metal Blade)
 
DEADSEA
S/T
(Chrome Leaf)
 
MORE REVIEWS
SKITLIV
Amfetamin
(Cold Spring)

This first official release by Maniac’s (formerly of the mighty Mayhem, where he had two stints from 1986 thru 1988 and from 1995-thru 2004) new project Skitliv sounds a bit like a demo. And it certainly seems assembled as such too. But that’s just fine, no need to polish the unpolishable. Amfetamin starts with the studio version of the title track and “Slow Pain Coming”, both of which are then reprised in live versions, though one would have a very difficult time trying to recognize them.  

 

As Maniac had announced before, Skitliv is not your typical goat worshipping band.  The title track sounds like a proper beginning; trembling strings, experimental noise, background static and bone chilling vocals while “Slow Pain Coming” serves more honour to Maniac’s assertion that Skitliv is a ‘black noise doom metal’ band. The music is slow and pairs up downtempo music to black metal vocals with appropriate horrific noise experimentations. The vocals are still deranged and demented. All in all, it’s harsh experimental music taken to the extreme but fans of electronic noise will find very little to dig here.

 

What makes Amfetamin actually bizarre is the disparity between the studio and the live recordings. To me, the live recordings is what makes Amfetamin worth owning.  True, once you get past the stellar intro (“Who Will Deliver Us From Gold & Planets”) courtesy of Current 93 what we are treated to is pretty effective doom metal and that’s about it. And true, the songs actually sound like a rehearsal more than a planned recording but that’s kind of the charm.  Recorded at the Camden Underworld in December, 2007, Skitliv (which in Swedish means ‘shit life’) comes off here like a straight up doom metal band, with very little of the ‘black noise’ Maniac talks about. It’s good stuff all around, just not very groundbreaking or even unheard, from whichever angle you see it.

 

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