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record reviews souvaris

FALL OF EFRAFA
Elil
(Halo of Flies)

SOUVARIS
A Hat
(Gringo)

DEFCON 4
The Bad Road
(Supernova)

HAIL! HORNET
S/T
(Dwell)

EVOKEN
A Caress of the Void
(I Hate)

NORTHERN LIBERTIES
Ghost Mind Electricity
(Badmaster)

GEZOLEEN
Black Spaces Between Stars 
(Acerbic Noise Development)
 
LARKIN
Every Day Begs the Question
(Mother Should Know)
 
MORE REVIEWS

SOUVARIS

A Hat
(Gringo)


 

My first thought was, ‘ok, another instrumental post-rock band. Thank god, I won’t need the sleeping pills tonight’. But rarely does this hip breed of trendy dogs get so heavy in such an efortless manner.  “Buffle” is all that; melodic, trebly, delicate and an all encompassing nice song with the indie spirit everyone and their mothers and their mother’s mother loves. Souvaris likes to call it ‘Erudite instrumental rock’, not sure how smart these dude’s really are, but what I dug was how “Buffle” goes from simply melodic and ordained and arranged to quite Sonic Youth-ish. You know the guitars; I am talking about how Lee Ranaldo and Thurston Moore like to scribble all that noise, up and down from the thinnest to the fattest string time and time again. These lads pull that off. It lasts less than thirty seconds, so they don’t indulge. They tease you like we are hungry noise rock fans in search of some volume.

 

“Quit Touching My Ass” gets there faster, when loud is still ordained and arranged, but the rocking goes on for longer, the cymbals crash like waves on speed, the lows go lower and the highs higher. The wave recedes well into the tenth minute and all its set back to its original instrumental indie-ness. We aren’t reinventing the wheel here, but like in the case of Fall of Efrafa, credit should be given to good songwriting and A Hat is neatly packed with it. Fans of Explosions in the Sky have here something a bit more direct. The ambience is there, but is passing, drummer Aaron Doyle is a busy man. Souvaris has been together since 2002 and though formed in Knebworth the band currently reside in the ‘birthplace of Robin Hood’ Nottingham. The four songs that follow and complete A Hat follow the same ideas; clear guitars, ambient keyboard playing, colorful drumming; somewhere between a dream and the garage space.

 

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