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record reviews subrosa

A STORM OF LIGHT
And We Wept the Black Ocean
(Neurot)

BURMESE / CADAVER EYES
Split
(Heart & Crossbone)

BORN/DEAD
The Final Collapse
(Prank)

TOTIMOSHI
Milagrosa
(Volcom)

SIENA ROOT
Far From the Sun
(Transubstans)

SUBROSA
Strega
(I Hate)

DEAD CHILD
Attack 
(Quarterstick)
 
TIAMAT
Amanethes 
(Nuclear Blast)
 
MORE REVIEWS

SUBROSA

Strega
(I Hate)


 

There are many great ideas in this record. And for a while it sounds like Strega is going to be an astonishing album. Unfortunately, it kind of reminds me of eating undercooked pork. The first few seconds of a bite are great. All the juices are flowing and soaking your taste buds with flavors. ‘This is a fantastic treat from mother nature’, you think, but as the chewing goes on the tepid rawness of a meat that shouldn’t be eaten medium or rare becomes evident. Then you either swallow or spit out. Like that Strega starts off stronger than strong; “Sugar Creek” is a confusing mélange of stoner riffs, hammering noise, and blunt psychedelic fuckery. The vocals of Rebecca Vernon lie somewhere between those of PJ Harvey (in quirky, off beat yet strangely attractive) and L7’s Donita Sparks (in pure balls) and add a whole different layer of opposing feelings. It’s an impressive track to say the least. It’s got quite the hypnotizing effect. It’s sweet, sensible and delicate and yet once the song breaks, it turns rough.

 

But as Strega moves in, it loses shape and much of the charm spilled by “Sugar Creek” gives way to a heartbreaking sense of disconcert.  At times I didn’t even know what I was hearing. “Crucible” clashes with itself with organized melodies and noise flowing nicely until awkward breakdowns and a simplistic chorus highlights the fact that perhaps Subrosa has all the right ideas, but there are moons to pass before they fully gel.

 

“Christine” works out better; picture a great chunky stoner guitar riff and a powerful female voice that is somewhat corrupted by the band’s experimentations. And by experimentations I mean, imagine just a line of noise, an extended tone with no rhyme nor soul just floating up front, distracting and annoying like Robin Williams anytime out of character. I know there is a violin player in Subrosa, but I can’t imagine that instrument making all that foreign noise. The point is Subrosa’s fancy for the strange nearly ruin some of their best moments.   It’s a shame because this band has an excellent sound. The vocals are gorgeous, the guitar sound is totally killer, but the end product needs more focus.

 

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