NOCTURNAL FEAR
Code of Violence
(Moribund)

JAVELINA
S/T
(Translation Loss)

MERCILESS DEATH
Realm of Terror
(Heavy Artillery)

PHARMACOPOEIA
Volume 1
(Land o'Smiles)

THE SEVEN MILE
JOURNEY
The Metamorphorsis Project
(Fono'gram)

INSTANT ASSHOLE
Straight Edge Future

(Tankcrimes)

SUTCLIFFE JUGEND
Pigdaddy 

(Cold Spring)

MORE REVIEWS

I am all for destructive noise. I am all for annihilating structures. I am all for aural anarchism. I am all for experimenting, even if that means you may deep fry a few brain cells. I am all for collaborations. I am all for having open door policies. I am all for derangement for art’s sake. I am all for artistic destruction, not destruction of art. I am all for going to the extremes without worrying about the middles. I am all for rude awakening and being pissed off having no reason whatsoever other than you are young and stupid. I am all for distortion and that ringing in your ear forever after the cause has ceased. I am all for power and overpowering those who oppose you. I am all for acting like an idiot if the occasion merits it and you are granted to get some surprised faces. I am all for obscenity as long you damage the target audience. I am all for moral decay because I am aware of it, and believe and know that it all starts at home. I am all for creating ambience because life, as boring as it is, could use plenty of it.

In fact, I am all for fucking around with your instruments; electronics, keyboards, boxes, mikes, guitars, whatever else and recording it for release purpose. Whether the result shall have any artistic value is another story. And whether the artists intend it to have a purpose is even another story. All I can say is that what we have here in this six-songer is some of the most obtuse experimental/ambience/power/electronics/fucking noise ever put to tape. Plain and simple, this is some dense and strident derangement, where curiously enough the most obsessive instrument is the corrupt voice which never tires up of ranting, screaming and spitting what is surely vile.

Pretty nightmarish stuff, Pigdaddy is as fucked as it comes. And considering that the duo Sutcliffe Jugend has been around since the early 80’s and this deep in their careers they are still making music with this nulll commercial value, is a good point to admire. The thing is Pigdaddy is so hard to digest and enjoy. I can’t stop thinking that this could have been as hard but also more enjoyable.

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