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record reviews the mass

THE MASS

Holocene #6
(Self-Released)

WACO FUCK
Paranoia is Total Awareness
(Life's a Rape)

THE RED DEATH
Godmakers
(Siege of Amida/Ferret)

MASSACRE OF THE
UMBILICAL CORD /
CONTROL
Split
(Magic Bullet)

BALZAC
Deep Blue: Chaos From Darkism
(Misfits)

RUSSIAN CIRCLES
Station
(Suicide Squeeze)

BLUES & SNAKE
S/T 
(Lockjaw)
 
JOSIAH
No Time
(Elektrohasch)
 
MORE REVIEWS

THE MASS

Holocene #6
(Self-Released)


 

Crucial Blast released The Mass’ previous 2005 record Perfect Picture of Wisdom and Boldness, which contained some great tunes infested with even greater moments. The curious thing is The Mass had certain propensity to indulge, to play eight minute non-traditional thrash songs that would half way through fall into a sax inhabited groove.  If The Mass’ metal was unorthodox, it was moments like those where they’d got their groove on that truly made them unique and to a point, quite strange. When we think of metal bands using a saxophone we shouldn’t think of some funkified metal, or even saxified death metal a la Yakuza. The Mass’ music is a more visceral experience. There is nothing death metal about them and sure as fuck there is nothing funky about them. They are much more difficult to pigeonhole not only because of the saxophone they use but because their metal is also downright weird. 

 

So three years after the eventful Perfect Picture of Wisdom and Boldness this California band offers up four new songs in the form of this self-released EP. And I am happy to say that not much seems to have changed, as they have retained their raw punk edges, have exaggerated some of their thrash metal-isms and have created more of those jazz-riddled exhilarating groovy moments. To speak about their metal is to speak about their punk; The Mass is a heavy band, that’s why they don’t waste time and “Trbovlue” rushes in almost unannounced with guitars and vocals at the same time. Barely a minute into it, we can already hear subtle sax blowing, but the focus is on the rageful vocals. For the remainder of the song guitar and sax run at unison, replicating each other.

 

“Human Shield” is a cock-teasing biter; with its trebly riffage, its quiet come louder come quiet come louder moments, it dies two minutes into it only to come back to life with bigger teeth. The Mass craft big clashes of music so for the second half of “Human Shield” the band advances in all sorts of angular curves and robotic bass patterns before showering us with what sounds like the great Ethiopian sax player Getatchew Mekurya doing a cameo. I could have this forever.  The bad news is Holocene #6 is limited to 200 copies. You know where to run to.

 

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Read the The Mass interview

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