home   reviews  |  interviews  features  lost & found  |  dvd reviews   links   about sparrow  contact us

dvd reviews thor

DARK FUNERAL
Atteral Orbis Terrarun
(Regain)


DRUM WARS
The Ultimate Battle:
Carmine & Vinny Appice
(MVD)

HATED
GG ALLIN & The Murder Junkies
(MVD)


JOHNNY THUNDERS

Who's Been Talking?
(MVD)

THE MENTORS
El Duce Vita
(MVD)

WAKING UP DEAD
The Pitfalls of Drumming for
Scumbags.
(MVD)

KREATOR
Enemy of God Revisited
(SPV)

EINSTURZENDE
NEUBATEN
Palast Der Republik
(MVD)

MORE REVIEWS

THOR

An-thor-logy 1976-1985
(Smog Veil)


 

My earliest memories of Canadian beef singer Thor come from perusing through 80’s issues of British magazine Kerrang, which my older brother used to collect.  If my memory doesn’t fail me I don’t actually remember ever seeing a full article on the man, but the monthly inclusion of a full page spread of this dude with a naked torso and the usual making of a threatening fist never failed to make a lasting impression.  That should tell you a lot about his music without actually reading about it.  This documentary covers the first decade of Thor’s career as a muscle man/stripper/novelty act/singer, not necessarily in that order.  The music is the last concern here, as most tracks, or early classics as some might like to classify them as (“Keep the Dogs Away”, “Thunder on the Tundra”, “Anger”) are utterly forgettable or bland if you will.  Still, it is a matter of taste, humor, or irony.  Truth is, in the end it’s all in the ear of the beholder.  For what it is Thor’s music is hard rock; as Thor time and time again professes his love for Black Sabbath, his rudimentary take on rock and roll never reaches the lethal levels of heaviness or class of Ozzy and his cohorts.  But that’s perhaps an unfair assessment; after all during this nine year (1976-1985) period hardly any heavy bands were crafting rock as good as Black Sabbath.  Thor’s music is not without any merits; the man was never a great singer but that’s never been an impossibility in rock music. His songs are simple, with memorable hooks and choruses, and the guitar arrangements were crafty enough to pass the time and never so downtuned as to prohibit airing in pop radio. His material has aged rather well mainly because the great majority of the public still sees Thor as a novelty act and because his audience never went beyond the cult level. In other words, no one ever got tired of his shtick because mainstream media never embraced him and limited exposure has kept him unspoiled. In any case, listening to his songs we can come to the conclusion that when songwriting Thor never saw longevity as an issue.

 

Entertaining is a better way to classify this documentary and Thor’s music. While the latter is passable some of the clips contained here make for a perfect fun-filled afternoon. Most are bound to make you laugh with no guilt. The mere sight of his spandex-clad backing band and the middle-aged 80’s soccer mom haircut that at least a couple of his guitarists sport is alone worth half the ticket price.  The price of the other half comes directly from Thor himself. He is a humorous man; there is no doubt about it. Yet at a point, the watcher is not one hundred percent sure if he is supposed to laugh at these videos. Are we laughing with him or at him?  The answer is not so simple but when the documentary is half-filled with TV appearances that exploit up-front front his He Man persona (muscles, stripping abilities, and potent enough lungs to blow up a hot water bottle) and the music gets relegated, the answer seems to be rather simple.   

Official Site

Contact Deaf Sparrow at editor@deafsparrow.com