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record reviews trelldom

THE OCEAN
Precambrian
(Metal Blade)

ARMY OF FLYING ROBOTS
Life is Cheap
(Super Fi)

ROTOR
3
(Elektrohasch)

LANDMINE MARATHON/
SCARECROW
Split
(Level Plane)

SOUND OF SILENCE
La Casa de los Lamentos
(Underhill)

GRIEF OF WAR
A Mounting Crisis...As Their Fury
Got Released
(Prosthetic)

TRELLDOM
Til Minne... 
(Regain)
 
STONERIDER
Three Legs of Trouble
(Trustkill)
 
MORE REVIEWS

TRELLDOM

Til Minne...
(Regain)


 

Til Minne…is Trelldom’s second (third overall) release in nine years. And with like any band that takes ages to issue an album one might be inclined to set his/her expectations really high. But that’s an unfair posture; just because so much time has passed since the band's last release it does not mean that it has taken them that long to assemble the album in question. Matter of fact, the newest release by this long standing project of Gorgoroth’s Gaahl may have taken less time to make than any of the records he has been previously involved in. Which would actually explain the simplistic structures that round up as a whole this release; as this trio creates one straight ahead riff and runs with it for the duration of the song. 

 

As Til Minne… comes to a start, the title track slices skin with a riff that sounds like Motorhead multiplied by three and the pissed off grandfatherly high vocals of Gaahl providing either comic relief or goosebumps to the untrained.  The whole thing kind of sounds like old school black metal with a lightweight and clean production that lets the coldness of the music sip in. On occasion there are some spoken words sparkled through some songs, which remind me a bit of Emperor except here, I assume Gaahl, delivers them with a lot less chivalry. Regardless Til MInne… does sound like it was a quick album to make.

 

I know there must be some sort of justification for that; the style Trelldom plays is basically blunt and direct, and the riffs axeman Valgard creates need not be questioned nor to be challenged. “Bortkomne Gvar” or really anything else here, sounds like this trio recorded about four seconds of music and then the thing was set on a loop for about four minutes with Gaahl offering his take on Norwegian black metal vocals.  There are some abrupt changes in tempo; “Fra Mitt Gamle” is fraught with them, but the whole thing just doesn’t come together and sounds like a hasty job at best. The surging vocals at the end of “Fra Mitt Gamle” are awkward and for the most part as quickly as tracks start they crash and burn without rhyme nor reason. I am not sure if I am missing something, or if black metal’s uniqueness is supposed to embrace all sorts of approaches to music but these songs really bore me to sleep. 

 

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