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record reviews wetnurse

MOONSPELL
Night Eternal
(SPV)

WETNURSE
Invisible City
(Seventh Rule)

PANZER
Masse Kind
(Chaotic Underworld)

THE CARBONAS
S/T
(Goner)

GRAVE MAKER
Bury Me at Sea
(Think Fast!)

OMEGA MASSIF
Geisterstadt
(Radar Swarm)

ICOS
Fragments of Sirens
(Alerta Antifascista)
 
DISTURBING 
FORESIGHTS
De-Grunged 
(Deity Down)
 
MORE REVIEWS

WETNURSE

Invisible City
(Seventh Rule)


 

This is very interesting. I totally dig the way in which Wetnurse are laying down their metal. Without being overtly experimental they are somehow managing to create their own ilk of metal. It’s not easy to digest by any means because it is overtly complicated and its creation process seems to have been rather fragmented. And it’s obviously not sounding like they are merely trying to cram a series of different genres within song spaces like some beefy metalcore vocalist recently said in the issue of an extreme music magazine. Take the opening song “Conversations With the Moon” for instance, which lays Wetnure’s plan pretty bluntly. It opens with acoustic guitars; a western flare is in the air, the sound of hovering helicopters gives way to metallic guitars shedding a short riff. It’s a two-way build up that’s taken almost two minutes. Not long after vocalist Gene Fowler makes an entrance chewing his lines with an angry big bite. For the most part he sure is more hardcore than metal so from time to time a brutal growl is introduced. All doubts as to what Wetnurse are dissipate when you find yourself six minutes into the song appreciating a guitar solo that’s gone for about two minutes and that just keeps on building over swirling riffs and shifting rhythms.  Post rock think not.

 

Or dude “Not Your Choice”. The band goes left then right, then left, then right, then they stop for half a second. A brief solo bristles through. Insert communal chorus a few seconds there, more rising wavering guitars, their angular edges slicing through. Shit, it’s not easy, but Wetnurse are already making music that’s already 100% their own and you don’t even know them. Hell, I didn’t even know their music until like three days ago and they have a four-year-old self-titled album on their backs.

 

Because of their approach comparisons are surfacing everywhere. With writers struggling to offer a better description than ‘the blend of (insert band name) and (insert band name here)’ what an eager reader is getting is all the wrong ideas or so many points of reference one can only end up disoriented. Without attempting to confuse anyone even further I’d say Invisible City is the result of four individuals throwing out all their influences; the startling clash of that shall sound just like this.  Invisible City goes the distance the same way, and that’s unpredictable.

 

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