DARK CASTLE
Spirited Migration
(At a Loss)
MASSEMORD / THE FRONT / VALDUR
3-Way Split
(BlackMetal.com)
FUNEBRARUM
The
Sleep of Morbid Dreams
(Cyclone Empire)
EASPA MEASA / SILENCE
Split
(Acclaim / Sadness of Noise)
BURMESE
Monkeys Tear
Man to Shreds, Man Never Forgives Ape, Man Destroys Environment
(Enterruption)
CONSTANTS
The
Foundation, The Machine, The Ascension
(The Mylene Sheath)
AMBASSADOR GUN
When in Hell
(Pangea)
DUSTED ANGEL
7"
(Corrupt Rcordings)
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The
first thing that pops into my head as my brain gets turn
into mush while listening to Ambassador Gun is that
grindcore has gone a long way since the rudimentary days
of Scum. Not only has production progressed through the
hand of technology (permitting a clear, distinctive
sound pass despite chaotic playing), but for some reason
young musicians are now capable of maneuvering their
instruments in ways that before were reserved for
virtuosos. Not only that, but if Ambassador Gun is a grindcore band, then grindcore has shed some of its
crusty, cheap skin. Something similar could be said if
one decides to tag this trio as a death metal band. In
the case of Ambassador Gun, it is all the same difference.
While this
recording retains some of those wild infantile trends of the
grindcore of yore, it is now also presented in a more
professional fashion. And by professional I am primarily talking
about the crisp production of When in Hell. Yeah, the songs here
are ultra fast. But there is such tight order in display. There
is incredible clarity to everything, which both, takes some of
the cool and wild aspects of the genre away and lets you
appreciate whatever is going on. This is a personal issue. I
both, enjoy When in Hell because I can finally hear how
intricate the music is, and dislike it a bit because of its
clinical cleanliness and its lack of raw spirit.
Getting past
that and diving to the tunes we not only find excellent
musicianship, but also a flawless tendency to veer from grind to
death metal and even to melodic hardcore passages. This is more
evident in the second half where a quarter of the riffs sound
like they were made in New York and then sped up to 45 rpm. It’s
all hectic though and the invariable speed of these sixteen
tracks do the band no favors as some of the tunes definitely
mesh into each other. It takes more of a discerning ear to tell
some of the stuff apart but for those willing to put the effort
it might pay off. “Ignorance is This” is as good a grindcore
track as something Napalm Death can do at their best. Albeit,
the level of sophistication is very ‘un-grind’. The dual
vocals aid in the flagellation and those un-heavy guitars are a
nice juxtaposition to Ambassador Gun’s most strenuous moments.
When in Hell could have been wild. Had it not been so
polished, it would have shot mortal bullets instead of some
lethal shots and a handful of blanks.
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