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record reviews avskum  

FORSAKEN

After the Fall
(I Hate)

KOWLOON WALLED CITY
Gambling On the Richter Scale
(Perpetual Motion Machine)

SUPERCHRIST
Defender of the Filth
(Self Released)

THE ISOSCELES PROJECT
Oblivion's Candle
(Valkyre)

CHINESE
The Conquest of Tomorrow
Today
(Whoa! Boat)

WARPATH
Damnation
(Self Released)

AVSKUM
Uppror Underifran
(Prank)
 
BLACK BONED ANGEL
Verdun
(Riot Season)
 
MORE REVIEWS

AVSKUM
Uppror Underifran
(Prank)

The other day I was talking to this kid and he mentioned he had been to Bergen. I mentioned that that was the cradle of good black metal, he mentioned that while there he went clubbing and one of the floors of the disco looked like hell with all these crazies playing this insane metal music. He then said, ‘I mean, I listen to some heavy shit, I like Rancid and stuff, but good god!'. I didn’t say anything back. I didn’t even smirk. What’s the point? Not every conversation must be a lesson in goodness. On the same token, a South American friend of mine asked me the other day, ‘what’s D-beat?’. I then said, ‘listen to this’ and gave him Avskum’s MySpace link. It’s all he needed to know. Now he knows what D-beat is and he is wiser and happier. Some conversations must be a lesson in goodness.

 

Swedish anarchists Avskum released Uppror Underifran, their fourth full-length, in 2008 and what a giant slab of goodness it is. The album is a textbook example of D-beat energy. It is hard to talk about or attempt to describe its simplicity because the methodology and the delivery is so basic and primal, any details would sound pretentious. But what more can you ask of a band of punk rock anarchists besides a fist in the face and a boot to the testicles?

Well, how about guitars so out of control that they seem to be coming down the mountain, rolling uncontrollably in your direction and sure to head over your cranium? Or how about regimental drumming? And by that I mean colorless, no frills, well-timed, urgent, old school (no double bass here), fast enough drumming. Yeah!

 

And then there are the vocals of Gunnar. Listening to his chaotic rage is as vivid an experience as the first time you bumped your head against a wall, you got arrested or you daddy slapped your silly face. As with any good ol’ D-beat there isn’t much in the way of melody and the emphasis is placed in the force and the speed. There are certain moments that approach the metallic rock and roll of Motorhead, especially those that are peppered with subtle guitar solos, but a tune like “Capitalism is Terrorism” is as debt indebted to them as it is to Discharge. And that just goes to show you that Motorhead could be as D-beat as they are metal.

 

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