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KURT BALLOU
:
The Man Behind the Progressive Side of Hardcore.

THE FIRSTBORN:
Introducing Portugal's Best Kept Secret: Technical Death Metal
with a Buddhist Flare.

BLACK ANVIL
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New York Black Metal Trio Brings About a Brutal Sound and Crashes Skepticism.

THE HORDE
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More Metal Than the Metallest Metal Band

TLON
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LA IRA DE DIOS
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Peruvian Psyche Stoners Mix Adrenaline With Anger.

GIGAN
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Psychedelic Extreme Metal From Tampa. Enter Gigan's Warped Universe.

HEREM:
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BLACK SUN:
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MAR DE GRISES:
Meet Chile's Masters of Lush Doom Progressive Metal.

KONGH:
Counting Heart Rate at the
Beat of Three Swedes.

FALL OF EFRAFA:
Representing the End of  All Forms of Oppression; Religious, Political & Emotional.

UFOMAMMUT:
Veteran Italian Psychedelic Doomsters Finally Bound to Get Stateside Exposure.

SANFORD PARKER
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The man responsible for some of the most dense sounds in the underground.

BILLY ANDERSON
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The producer responsible for some of the most emblematic extreme music releases..

LENTO:
Introducing Italy's slow hand purveyors of ambient experimental hardcore.

TORCHE:
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IREPRESS:
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COBALT:

I don't really consider us black metal in any sense of what black metal is.

DODSFERD:
Motivated by desolation,
despair, hate, irony, death,
loss, betrayal, etc


PYGMYLUSH:
Between the delicacy of
gorgeous acoustics & the
ugliness of noise rock.


MORE INTERVIEWS



CHRONIC TORMENT:

'Our Music Should Sound Dark, Dirty, Evil.'


 

As a huge fan of the Swedish death metal movement that emerged in the early 90's I felt that it was necessary to give proper coverage to this resurgent new wave of Swedish bands that are hammering it the old way. Enter Gothenburg's Chronic Torment, an active band that lived through the first period in a different incarnation and that currently are pushing their new recording Demons of Chaos. Read on and spread the word...  

 

- Chronic Torment have an interesting story in that you guys were originally formed in 1991, but you changed you name to Sacretomia. What was the motivation behind reforming Chronic Torment so many years later?

Chronic Torment was formed in early 1991 By Tom A, Mika and Joppe. At first we played thrash death. Also Mirko Hangover ( Miika Von Silli’s Brother ) joined to play the bass. Chronic Torment released a demo in ‘92 Altar of Sin but under the name Sacretomia. The band split up in 1995 due to lack of interest.

A decade later after Tom and Mika started to play together in a studio environment and Doomed became the result 06/07 Joppe and Mirko were more or less involved in these productions. In 2007 I had a vision to get a complete line up and play live and stuff instead of just rotting away in a studio, so I asked Mirko and Joppe if they were interested but the answer was no for various reasons. So there I sat all alone rotting…..So I got my shit together and contacted Pasi who wrote one of the tracks on the album Dream of the Dead to see if he was interested and he was so we started the production of Wind of infections. A couple of months later I contacted the former bass player of My old band Rotting Flesh to see if he was willing to play and he liked our stuff.


After releasing Wind of Infection a intense hunt for a second guitar player begun and after searching for a while we found Jimi R Corps, the guitar player of Rotten Corps (1992-1998). Now the circle was complete and we got a line up of old men with a common vision to create evil, dirty and brutal death metal!


- Having been part of the early wave of Swedish death metal, what is it that you remember the most about those days? Is there anything you miss?

 

It was a lot of great bands in Gothenburg in the early 90s. There was a club called Valvet that was perfect for death metal. A lot of good bands played there for example, Bolt Thrower, Massacre, Grotesque, Carcass, Afflicted, Dark Tranquillity and Unleashed. But it was also a stage for the lesser known demo bands.  We really miss a place like that, like an underground HQ in Gotheburg for the death metal people to gather. And we also miss that there were more bands back then and almost some kind of gig every weekend where you had a chance to tape trade demos and so on.


- How does the current Swedish death metal scene differs from the old death metal scene?


Of course the biggest diffrence today is the digital progress. Most bands with just a little know how can with today’s equipment get a real professional sound that just the biggest bands could get like 10 years ago. The internet is a big difference as well. It’s good because you can get in touch with everyone easy and also promote your band in a different way, but in another way it also made the local music scene less personal. On the downside there are less gigs with fewer people trading cassettes. Those days are long gone

- Around 2006 Chronic Torment gets back together. How has the response been at home and abroad to your first three recordings, Doomed, Dream of the Dead and Wind of Infections?


Well, we have gotten a fanbase trough the years I guess, and we have gotten a lot of good reviews on our records which has kept the spark going.

- Do you believe that having been part of the early Swedish death metal scene gives you an advantage?


Yes, we know many of the old school people and many of those are running clubs and stuff now. And when we started out everything was harder. For example, getting a good sound, so we have more of a work hard attitude I think than the younger guys. We don’t expect to get anything for free. And of course we have the old school death metal running trough our veins, it’s in our blood.


- How come Chronic Torment is not signed yet? Especially considering that everyone now seems to be aware of this revivalist wave of death metal?


We decided to do the recordings ourselves in our own studio, and got stuck in our convenience, I guess being satisfied to just be unsigned and do as we please. We also pay for the printing ourselves and give away all the records for free, but lately we have discussed to maybe start looking for a label to reach a broader audience and not having to pay for everything ourselves, but we don’t feel that we are in any hurry. But if there are any labels interested reading this interview please contact us with your contract offer and we will take it under consideration. 

- Demons of Chaos is your fourth album in four years. How does Demons of Chaos improve over previous offerings?


It offers some new stuff because more of us been active in writing songs for this album. It’s still Chronic Torment but with some twist. Maybe there are a little more trash influences in this record compared to the others.

- Chronic Torment’s sound is very loyal to the old Swedish sound. Do you think your band is confined to that sound or do you have any plans of altering your sound in the near future?


Chronic Torment has some ground rules when making songs. For example, when we make a riff and record it we ask ourselves afterwards, ‘does it sound evil enough?’ We also try to avoid making to modern riffs so the ground rule really is that it should sound dark, dirty and evil and not have any resemblance with either Bon Jovi or In Flames, but of course we try to develop our sound and find and use new ideas

- Please cite your favorite Swedish death metal albums?

 
Bloodbath’s Nightmares made Flesh, Incantation with Grotesque Consumed by Darkness (ep) Macabre End all At The Gates albums.

- Which one do you believe was the greatest Swedish death metal band not to attain any success?


Success or not but one of our favorites is Macabre End 


- Are there any new Swedish death metal bands that you’d recommend?

 

I recommend Karnarium, they formed in 1998.  All bands formed after 1995 are new for me .

- What’s next for Chronic Torment?


Next for Chronic Torment.....Getting more gigs continue to deliver old school death metal and having loads of fun doing so successful or not we are having fun anyway.

 

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