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record reviews death  

AMESOEURS

S/T
(Profound Lore)

DEATH
For the Whole World to See
(Drag City)

WHAT PLEASING THE
LORD LOOKS LIKE
MARRIAGE
Extreme Noise...and Terror from
Israel & Japan
(Heart & Crossbone)

THE SETTING SON
Spring of Hate
(Bad Afro)

FORCA MACABRA
Aqui e o Inferno
(Agipunk)

POSEIDOTICA
La Distancia
(Aquatalan)

A DEATH CINEMATIC
A Parable on the Aporia of
Vengeance and the Beauty of 
Impenetrable Sadness
(Self Released)
 
HUMAN QUENA 
ORCHESTRA
The Politics of the Irredeemable
(Crucial Blast)
 
MORE REVIEWS

DEATH
...For the Whole World to See
(Drag City)

What a find!  One can only wonder if this album has been dug out, how many more gems like this lie unearthed? As the story goes, back in 1971 three African American brothers from Motor City get together to bang out some funky soul but are shaken to the core after attending a Stooges show. The experience modifies their opinion of what rock and roll is. Further incursions into the discographies of The Who and Led Zeppelin convince the young bucks that there is nothing more important than rock and roll.  To add shocking value, the trio adopts the most radical moniker they could think of; Death.

 

Three years later, Death cut a demo under the tutelage of Jim Vitti, who had worked with Parliament/Funkadelic. The result is …For the Whole World to See; a raw in your face and incendiary glorious piece of proto punk.  The band got label attention from Columbia Records, there was only one demand; change the band name. The band doesn’t cave, label interest wanes, Death moves to New England, where the members become faithful Christians and start creating Christian music under The 4th Movement name. Anyone knows that band? Not me.

 

For us the story stops before. …For the Whole World to See is an excellent album. The reissue includes seven songs from an originally planned 12-songer. It’s punk in a purist punk sense; seven songs in under twenty-seven minutes. They are energetic and upbeat with excellent guitar licks from David Hackney. There is some funk to it. And some very inspired performance, David hackney shifts from short riffs to quick solos with the ease of an ace. David makes his axe wail.

 

I hear more MC-5 than Stooges here. The songs are tight and concise and the arrangements are compact and do not have the free flowing and loose liberty of The Stooges'. Death had a great frontman no doubt about it. Bassist/vocalist Bobby was  a man with a silky voice that’s as good when smooth, like during the quiet moments of “Let the World Turn”, as when obsessive, like during “Freaking Out”. Which proves that he could have been as good of a frontoman in a punk band or in a funk or a soul band.

The album comes to a great end with “Politicians in My Eyes”, which was their single in the 70’s, and its memorable end of saturated fuzzy guitars.

 

The surprising thing about Death and this recording is its fresh feeling. Soundwise is totally relevant; 2009 or 1974, Death sound like now.

 

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