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record reviews dodsferd / mortovatis  

GRINNING DEATH'S

HEAD
No Afterlife
(Youth Attack)

MORBID ABORTION
Organs
(Inverted Pentagram)

MAMMOTH GRINDER
Extinction of Humanity
(Cyclopean)

DRASTUS
Taphos
(Black Hate)

NOMINON
Monumentomb
(Deathgasm)

UFOMAMMUT
Eve
(SuperNatural Cat)

DODSFERD / 
MORTOVATIS
Until Your World Go Down
(Moribund)
 
NAILS
Unsilent Death
(Six Feet Under)
 
MORE REVIEWS

DODSFERD / MORTOVATIS
Until Your World Go Down
(Moribund)

Maybe I am forgetting, (too much fun in the early days), but I don’t recall the black n’ roll tag being previously attached to Greek Misanthrope and king of the ‘aaarrrgghhh’ Dodsferd. While he was always a riffmeister and his albums never for a second struggle with ideas or horn-proud riffs, it is just this time around that one can easily perceive that rocking vibe smeared all over. Helllssss, at moments, this is fucking punk.  Wise ones; remember how early Bathory was a bit like Motorhead? Well, new Dodsferd has that same rock and roll gallop. Not to scare Wrath’s minions; the necrotic and the misanthropic still live here. And comfortably. Better yet, Dodsferd now has Mortovatis, one more outlet to dish out his hate in a platter.

 

On the Dodsferd end, Until Your World Go Down offers up two new songs and one live track. The studio material is spectacular. The first cut “Only Thorns Can Embrace Your Condemned Throne” is an absolute blast. Don’t associate that with having fun, but if you do, don’t tell Wrath ‘cause he likes people to be miserable. This is a fast song that builds up squalidly. Like many punk rock tracks, just drumbeats, growing feedback and throbbing bass. Vocally, imagine an under-whiski-ed Lemmy without the cigarette gruff and an utter contempt for absolutely everything.  The riffage is badass, exhilarating speed and a high end that’s a note below nails on a chalkboard. The second cut inverts this formula. Like most of Wrath’s past material, this sounds tortured. It is beautiful in a way that Wrath can’t see, nor hear, and whether he likes it or not, those guitars are killer and the mood is somber but elegant. There is even some natural anguished pleas.

 

The live cut is “You Called It Resurrection, I Call It a Fairytale for Human Parasites, Your Kind!” (Wrath has grown fond of long song titles) from Cursing Your Will to Live and it shows the ferocity of Dodsferd in a live setting. It’s an awesome racket and the crowd behaves. When the song ends all you hear is subdued clapping. No Hail Satans!

 

Be on the lookout for the new material from Dodsferd or any other projects that might involve Wrath. He is for sure one of the biggest talents on the black metal scene. And he’s got ideas to share. So much so that Mortovatis is an extension, a new project where Wrath goes astral and launches his hate beyond this world and into outer space. This definitely doesn’t fit the Dodsferd mold. “Rebirth 349” clocks in at over 20 minutes and it is only cool for about half of that. It’s a small idea that would have been a stretch at ten minutes so doubling that is indulgence. Think of a low budget early Monster Magnet space jam without the vocals and the heavy sounds.

Read the Wrath interview here

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