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record reviews forca macabra  

AMESOEURS

S/T
(Profound Lore)

DEATH
For the Whole World to See
(Drag City)

WHAT PLEASING THE
LORD LOOKS LIKE
MARRIAGE
Extreme Noise...and Terror from
Israel & Japan
(Heart & Crossbone)

THE SETTING SON
Spring of Hate
(Bad Afro)

FORCA MACABRA
Aqui e o Inferno
(Agipunk)

POSEIDOTICA
La Distancia
(Aquatalan)

A DEATH CINEMATIC
A Parable on the Aporia of
Vengeance and the Beauty of 
Impenetrable Sadness
(Self Released)
 
HUMAN QUENA 
ORCHESTRA
The Politics of the Irredeemable
(Crucial Blast)
 
MORE REVIEWS

FORCA MACABRA
Aqui e o Inferno
(Agipunk)

If I wasn’t holding the CD here in my hands and reading the liner notes I would definitely bet my savings account that this was a recording that dated back to the mid to late 80’s. But checking back on Forca Macabra’s history I am not all that surprised. As we all metalheads know, in some parts of South America times stopped when Beneath the Remains was released.

It makes perfect sense when you realize that Forca Macabra were formed in 1991 and that they haven’t stopped touring and recording relentlessly. Aqui e o Inferno is only the latest in a string of recordings that includes all sorts of outings (from demos, to compilations, splits and full-lengths) in over one dozen record labels.

 

Aqui o e Inferno is a record of pristine old school metal. Yeah, yeah. It’s tempos are so locked and the beats are so steady that the crust influence is more than obvious and “O Chamando Dos Esqueletos” is hardcore punk as fuck, but passing those details, Forca Macabra sounds like the perfect opening act to Sepultura’s Bestial Devastation tour.

In that sense, Forca Macabra sound frozen in time, preserved for all the youngsters to see how it used to be done. There is no evolution here, nary a hint of technique. Just gutsy death thrash that’s as universal as Kreator’s Pleasure to Kill riffs or early Ratos de Porao. Really, the most modern aspect of this recording is that it comes in CD format.

 

One thing that can’t be denied about Aqui e o Inferno is that it shows a spirited performance that is so enthusiastic, these garotos forget how to hit the right notes. The solos are a fucking delicacy, with each one coming sloppier than the next. It's almost like the guitarist is fucking up on purpose. When was the last time you heard a solo that skips as many notes as the one in “Massacre do Odio”? In a live setting that's right!
 

Aqui e o Inferno is the rare album that captures a band in its natural state. Crude and rude and without much polishing and sheen, the guitars dish out the riffs in fast and furious fashion while the vocals of Taurus spill the typical South American vitriol. This sounds just about right.

 

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