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interviews hunters moon interview  

CHRONIC TORMENT
:
'Our Music Should Sound Dark, Dirty and Evil and Not Have Any Resemblance to Bon Jovi and In Flames'.

HIGH WATT ELECTROCUTIONS
:
An Interview With Ryan Settee; the Man Behind the Flabbergasting Desert Opuses.

KURT BALLOU
:
The Man Behind the Progressive Side of Hardcore.

THE FIRSTBORN:
Introducing Portugal's Best Kept Secret: Technical Death Metal
with a Buddhist Flare.

BLACK ANVIL
:
New York Black Metal Trio Brings About a Brutal Sound and Crashes Skepticism.

THE HORDE
:
More Metal Than the Metallest Metal Band

TLON
:
Christian Van Lacke picks up the pieces of cult act Tarkus...

LA IRA DE DIOS
:
Peruvian Psyche Stoners Mix Adrenaline With Anger.

GIGAN
:
Psychedelic Extreme Metal From Tampa. Enter Gigan's Warped Universe.

HEREM:
Introducing Finland's Latest & Bestest Purveyors of Downtrodden Misery

BLACK SUN:
Ripping Themselves Open & Sowing Themselves Shut

MAR DE GRISES:
Meet Chile's Masters of Lush Doom Progressive Metal.

KONGH:
Counting Heart Rate at the
Beat of Three Swedes.

FALL OF EFRAFA:
Representing the End of  All Forms of Oppression; Religious, Political & Emotional.

UFOMAMMUT:
Veteran Italian Psychedelic Doomsters Finally Bound to Get Stateside Exposure.

SANFORD PARKER
:
The man responsible for some of the most dense sounds in the underground.

BILLY ANDERSON
:
The producer responsible for some of the most emblematic extreme music releases..

LENTO:
Introducing Italy's slow hand purveyors of ambient experimental hardcore.

TORCHE:
Stoner pop? Beach Boys-like doom? Whatever.

IREPRESS:
On Grammar, War, Their Love for Cindy Lauper and Their Letting Out of All Emotions.

COBALT:

I don't really consider us black metal in any sense of what black metal is.

DODSFERD:
Motivated by desolation,
despair, hate, irony, death,
loss, betrayal, etc


PYGMYLUSH:
Between the delicacy of
gorgeous acoustics & the
ugliness of noise rock.


MORE INTERVIEWS



HUNTERS MOON:

The Australian Horde Has Sounded the
Horn for Battle, Heed Their Call!


 

Upon long dead steeds ride forth the blackened duo known as Hunters Moon. Hailing from Melbourne Australia, swords in hand, spewing forth battle hymns where evil always wins. They've documented their hate in the form of a mini-LP entitled "The Serpent's Lust" on Hells Headbangers Records. It is an infernal invocation to the gods of epic black metal. Below I play the role of inquisitor, they the heretic, read the deeds.

 

All babblements by: The Mighty Mojon
All answers by: J. Eradicator

 

 - You guys have been playing together since 2003, Denouncement Pyre to Nocturnal Graves and now Hunters Moon. How long have you known one another and what is it about your musical relationship that has kept you working together for so long through so many projects?
 

We formed Denouncement Pyre in 2003, though Decaylust and I had both been playing music together sometime before this. It would be fair to say that Denouncement Pyre was our first serious band. We grew up together and shared the same musical interests and ideals so it seemed natural for our shared ideas to manifest themselves as what would become Denouncement Pyre. We never played in Nocturnal Graves together. I played on the Satan's Cross album and Decaylust is now a member of the Nocturnal Graves touring line up.
 
 - You both have a history in other mighty Australian bands. Why form Hunters Moon? What was the original idea behind the creation?

I have always had a great interest in this particular style of metal, right from the time I first heard Blood Fire Death. Whilst playing in Denouncement Pyre, new ideas started to emerge that were not fitting for the chaos of Denouncement Pyre, hence Hunters Moon was formed.
 
 - Hunters Moon is essentially a two-man project, right? Who does what in the studio and on stage?
 

All the music is written by me, the lyrics and themes are a figment of Decaylust's warped imagination. In the studio I handle the guitars, bass and organs. A close friend of ours filled in on session drums for the recording of the Serpent's Lust. Decaylust is responsible for all lyrical content and vocals on our recordings.

 
 - Who came up with the name Hunters Moon and why?
 

I honestly do not recall, but I think that the name is well aligned with our epic style of black metal.

 
 - What are you trying to convey with your lyrics? Is there an explainable overall philosophy to Hunters Moon the band?

 
The themes and subject matter of the lyrics on the Serpent's Lust are quite varied. The unifying aspect is that all of the lyrics delve into the occult, dark and macabre. Decaylust is the lyrical brain behind Hunter's Moon, but we both share the same vision of what the lyrics should be about and the general theme of the music. We have purposely steered away from the typical style of lyrics that permeate this genre and metal in general.

 
 - Denouncement Pyre is still active, are you guys involved in any other projects?
 

Denouncement Pyre is indeed still active. I am no longer a member of the band but I am recording and engineering their upcoming full length. The Serpent Inquisitor from Stargazer & Cauldron Black Ram is behind the skins on this album and Decaylust is handling all other duties. I have no doubt that it will turn out to be a killer release. Aside from Hunter's Moon I play in a dirty punk rock n' roll band on the side. Decaylust has his own metal infused industrial project called Oxygen Abortion. I am hoping to start working on some new projects in the New Year, weather or not they manifest themselves as a metal band or not remain to be seen.

 
 - From the outside it seems like Australia has a pretty strong metal scene that also seems quite incestuous. How would you describe the current Australian metal community?
 

Outsiders tend to share this view of the metal scene in Australia. Truth be told, the scene for black/death/extreme metal is dying, if not dead. There are plenty of metalcore and crossover bands, but scene for extreme music in Australia has dwindled rapidly in the last few years. There are rarely any black/death gigs and whenever there is the turnout would typically be poor. Australia has given birth to dozens of great bands over the years; unfortunately most of these are no longer active. I personally like to keep myself at arms length from any particular scene and its attached politics.

 

 - How is it being so far removed from the rest of the world? Does it help to ferment a distinct Australian sound? All in all, is it a hindrance or helper?
 

A slight hindrance I suppose, since metal has a larger following overseas. I don't really dwell on these sorts of things as I think there are plenty of able musicians at my disposal if I wanted to start a new band or project. Australia definitely tends to have an associated sound; typically people from overseas will reminisce on warring black/death bands of the 90s. I don't keep any particular sound or vibe in mind when creating the music for Hunter's Moon. I think that Hunter's Moon comes across as sounding more like a European export than anything, which is fine by me.

 
 - Does the Melbourne area have many places for metal bands to play live? Is there a venue you would consider the epicenter?
 

There use to be some good venues. These have since closed down or they no longer support metal bands. This seems to tie in with the fact that the metal scene in Melbourne, and Australia generally, has dwindled over the last few years. There aren't really any venues that I would consider the epicenter, most of the venues are standard pub venues which are converted for the course of a gig.

 
 - The Asian continent holds your closest geographical metal brethren. Have you ever played the area? Future tour plans? Will we ever see a North American tour?

 
I have never toured those regions. I couldn't say that I have any plans to. At this stage I could not really foresee Hunter's Moon being a touring band.
 
 - Most Australian metal has a certain filthy clarity to the recordings. Is there a main studio or studio man that helps drive the Australian bands to such dirty blackened ends?

 

Probably not a particular studio, but there is a particular sound which is embodied by the the 90's black/death bands from Australia. I don't think the studio really matters if the execution and production is correct. I have recorded in 'proper' studios with 'proper' engineers in the past and it has often proved to be a tiresome and frustrating experience. I have since found that I am able to achieve the desired sound by recording and engineering my own releases. I have also started recording and engineering other bands, for instance the upcoming Nocturnal Graves and Denouncement Pyre releases.

 

 - The Serpents Lust just breaks the 20-minute mark but still comes across as grand and epic. Are you happy with the end results, was your original vision realized?
 

I think there are always things that you would like to change in hindsight, but generally I am happy with how the release came out. The response has been good too which is pleasing.

 
 - "The Ravens Swoon" seems to be a holdover from your self-titled demo, which came out in 2006. How long have you been working on the songs for The Serpents Lust?
 

I had been working on the songs on and off since the demo came out. There were other songs written but I felt that the songs picked for the Serpent's Lust were the most fitting for a release.


 - To you what is The Serpents Lust about?
 

I don't think this is something that can be portrayed or easily documented. My interpretation is irrelevant in the end anyway. Interpret The Serpent's Lust as you will.


 - Who designed the cover art for The Serpents Lust?
 

Andrei Zikov. He has also done work for Nocturnal Graves and a whole range of other bands. He is a talented artist and I think he captured my vision very accurately in his artwork.
 
 - The Serpent's Lust is a mini LP. When can we expect the full-blown onslaught?
 

Most of the songs are written but it will be a while ‘til we get around to recording them. I would optimistically predict mid next year.
 
 - The opening and closing tracks add an epic quality to the blasphemic battle hymns trapped in between. As a whole would you see The Serpents Lust as a collaborative realization or are certain songs much more one mans fruit?
 

We each contribute our own aspects to each song. I am responsible for the music and arrangements of all the songs where as Decaylust is responsible for the lyrics and their delivery. The overall execution of the release is a collaborative vision of Decaylust and I. We both share the same ideals about this genre of music and the way in which it should be produced.


 - The Bathory influence has been mentioned, what other names would you add to the list of major influences?
 

The legendary 80s/90s Black/Death bands.

 
 - If you could have a dream split LP with any band in the world, who would it be?
 

I have never really contemplated this. The idea of a 'dream split' isn't really that appealing to me.
 
 - What are your thoughts on elitism in metal? Limited release records that turn into a cash crop for a few record hoarding nerds and the like?
 

Boring. I don't care for elitist attitudes, since most of the people who hold them are degenerates anyway. As for limited releases, I think these are more often that not done out of necessity rather than trend. Most underground labels cannot afford to publish in larger quantities. Most of the ridiculously small releases are by bedroom black metal bands so it’s probably for the best that their releases are confined to 6, 66 copies or whatever.

 
 - What albums have you been digging lately?

 
New Destroyer 666 & Beherit albums, Dead Congregation - Graves of the Archangels, Necros Christos - Triune...etc.


 - Best Australian band ever?
 

As cliché as it seems, Destroyer 666 - they haven't done a bad release to date, the demo and Unchain the Wolves are untouchable. UTW is one of my all time favourites.

 
 - Under the Sign of the Black Mark or Hammerheart?

 
Both are good for different reasons. Under the Sign is the essence of black metal. Hammerheart was a pioneering force in the development of the viking/black metal genre, "One Rode to Asa Bay" is a classic track.

 
 - Victoria Bitter or Piss?

 
I wouldn't drink either.
 
 - Whiskey or Rum?
 
Whiskey.
 
 - So what’s next for Hunters Moon?
 

The full length album. As I mentioned, we are hoping to record sometime mid near year. Hell's Headbangers have offered to work with us again for another release and we would be more than happy to oblige. They have been a very professional label to deal with.


 - Thanks for your time, any last words?
 

I don't think there is much more to add from here on. Check out our mLP if you haven’t yet and keep an eye out for our full length mid next year. Thanks for the comprehensive interview.

 

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