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record reviews murder practice  

FOOD

S/T
(Molsook)

IMPURE WILHELMINA
Prayers and Arsons
(Get a Life!)

SAROS
Acrid Plains
(Profound Lore)

REVENGINE
Plan Your Escape
(Self Released)

MURDER PRACTICE
Prophecy of Doom
(Self Released)

BUCKSHOT FACELIFT
Anchors of the Armless Gods
(Old Souls Collective)

INFERNAL 
STRONGHOLD
Godless Noise
(Forcefield)
 
ALUNA
Fall to Earth
(Catacomb)
 
MORE REVIEWS

MURDER PRACTICE
Prophecy of Doom
(Self Released)

I was initially listening to this blistering piece of vinyl with the needle set to 33.  What got me the most wasn’t the dragged and incredible thickness of the music, but the totally guttural distortion of the vocals.  The music was absurdly chunky and noisy, the riffs sounded like they were breaking down and the mix was so muddy I was about to reach for some Q-tips.  The doom influence was vast and by large what informed the record the most.  Which surprised me because I knew that Murder Practice was a hardcore band and this didn’t sound anything like it. But I was digging Prophecy of Doom a great deal. I have an idea, someone should buy this record, listen to it on 33 revolutions and start making music based on that.  Believe me, more than a few fools, just like yours truly, would kill for that stuff.

 

But the vocals proved to be too unreal. Like those of a screaming monster set to slow motion, this just didn’t make sense. I was tipped by experience, I guess. When I set this twelve-inch piece of vinyl to 45 rpm’s Murder Practice came into its own. Certainly, Prophecy of Doom now sounds like hardcore. Not like the dumbass bull-headed, steroid-fed, meathead New York ilk of hardcore, but like a gnarlier beast by no chance sporting a basketball t-shirt and listening to Biohazard.

 

One aspect of their proposition that separates Murder Practice from the rest is the vocals of Jake. The dude has more of a PCP-crazed edge than that of muscle-headed vocalist with an obsession for the windmill. His delivery has an aggressive bite, but it sure is one sided and a bit monotonous. More dynamic is the music. This Cali quintet at times sounds a bit crusty, especially in their most straight forward moments. On others though, without shying away from being melodic (solos are not rare) Murder Practice ventures into more modern structures. Speed and rhythms are constantly being broken and yeah, there are few moments of chugga-chugga bliss. This shit’s better though. Let’s just say I wouldn’t be afraid of standing right next to these dudes for the fearing of getting beaten up. 

 

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