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record reviews queen elephatine  

SACRILEGE
Time to Face the Reaper (The Demos)
(Absurd)

KONGH
Shadows of the Shapeless
(Seventh Rule)

FROSTGRAVE
Hymn of the Dead
(Black Hate)

QUEEN ELEPHANTINE
Kailash
(Concrete Lo Fi)

KATATONIA
Night is the New Day
(Peaceville)

SNOWBLOOD
S/T
(SuperFi)

NORTHLESS
No Quarter for the Damaged
(Halo of Flies)
 
WYQM
S/T
(Death Agonies & Screams)
 
MORE REVIEWS

QUEEN ELEPHANTINE
Kailash
(Concrete Lo fi)

In my review of Surya I identified Queen Elephantine as a stoner doom band that could sonically be linked to Om. Actually, I consider Surya to be a superior recording than Om’s Pilgrimage. With Kailash, the comparison is no longer valid. Mostly, because Queen Elephantine has removed itself so far apart from the rock block that their songs no longer have any structure, keep a beat or just simply ‘rock’. Now, some may salivate at the mere mention of a stoner band that’s gone experimental or pure drone. Well, the results here are not that thrilling. Frankly, Kailash sounds like one long ass excruciating intro and that sucks.

 

Kailash picks up where Surya left off. “Search for the Deathless State” is actually quite auspicious. With its droning minimalism, stoner vibrations and trance-like vocals, this could be the perfect opening for a great record.   Things go south fast though and by second song “Gloaming” we are treated to the kind of Indian folk that would make The Love Guru proud. No shit. If I want to listen to regional music I rather go straight to the source. Bands do well by spicing things up and by looking for outside influence, but the minute they offer twelve minutes of chants, table and sitar they might as well just change monikers and light up the Nag Champa. It’s not badly played, it just isn’t very good.

 

“The Vulture and the Creed” is an actual intro. Only Queen Elephantine forgot to shorten it and place it in the beginning. It goes on for over eight minutes and sounds like it was recorded in Robin Williams’ head. Seriously. Lots of ridiculous goofy shit going on. Isolated strings. Special effects. Voices and echoes. I get the feeling that it is really uncomfortable in there. Or maybe I just don’t get it.

Unfortunately, Kaylash never comes back from this parallel dimension. The rest of the tunes float aimlessly between pretentious and simplistic ‘experimentation’ (actually, I call it ‘killing time’) and half baked ideas that never come to fruition. Kaylash is ultimately really boring and pointless. Poorly executed. A total shame.

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