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record reviews raise the red lantern  

KARMA TO BURN

Appalachian Incantation
(Napalm)

ATMAN
L'Assassi de Venus
(Sun & Moon)

RAISE THE RED
LANTERN
S/T
(At a Loss)

DROIDS ATTACK
Must Destroy
(Crustacean)

SOAC / TREASURE CAT
Last Day of Summer
(Underdogma)

FUNEROT
And Then You Fucking Die, Man
(Inimical)

MOHORAM ATTA / 
THOU
Degradation of Human Life
(Halo of Flies)
 
RITES OF THY 
DEGRINGOLADE
An Ode to Sin
(Nuclear War Now)
 
MORE REVIEWS

RAISE THE RED LANTERN
S/T
(At a Loss)

I don’t know why but the first time I listened to Farewell My Concubine I thought that were we to strip the music of its chunkiness, live tonality and organic perfection (courtesy of Sanford parker and his Volume Studios) and had given it the polished shine that everyone can afford in these times of perfected but cheap technology this would have sounded off like a Swedish melodic death metal band. This time around I don’t hear that. I wasn’t on crack that day, but I had just been to the dentist and I had been served plenty of anesthesia, which probably dumbed my senses way down and blurred all the guitar notes of this prog friendly, but straight forward stoner Mastodon-like band. ‘Cause really, there is zero death metal here.

 

There are plenty of guitar notes here. Maybe the Mastodon citation is unfair, but House of Flying Daggers totally belong to this new school of Southern beardos who stoned as they may be, still have the long term memory to keep all those notes in their heads. The guitar lines are melodic alright, perhaps that’s where all the Swedish death metal idea came from, but more than basking in a fantasy NWOBHM influence, they twist and turn with the ease of boiled fetuccini but carry on with the determination and stomp of a terrified stampede.  

 

Elsewhere, which is the same thing as saying everywhere, the curiously named Raise the Red Lantern fit somewhere between a roughed up version of current Mastodon licks, a more bestial version of Struck By Lightning and a far more sophisticated unit than the Black Cobras and Deadbird’s of this world. All in all and taking into consideration how the Southern scene has expanded in the last handful of years, this is nothing new. Powerful and well done. But somewhere, between so much facial hair, I’ve heard this before.

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