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record reviews rat king  

NEGURA BUNGET

Virstele Pamintului
(Code 666)

RAT KING
Larva
(Road Crew)

WORM OUROBOROS
S/T
(Profound Lore)

HEAVY LORD
The Holy Grail
(Solitude Productions)

DARK BLACK
The Sellsword
(Stormspell)

DISFLESH / SLUGFEAST
Split
(Hecatombe)

ALKOHOLIZER
Drunk or Dead...
(Punishment 18)
 
MOS GENERATOR
The Late Great Planet Earth
(Nasoni)
 
MORE REVIEWS

RAT KING
Larva
(Roadcrew)

Ok, I’ll be frank. With recordings like Larva, I may not be the most objective critic mind. I suck at describing its abstract qualities and I am just as bad at comparing and linking experimental music like this to the artists de rigueur that have blazed the trail. That’s mostly because I do not know who these artists de rigueur are.  Music like this has never been something I’ve chased after. Let’s say, we have never connected at a deep level, which is not the same thing as saying that I am incapable of liking it or enjoying it. 

 

When writing about bands with a span of sound this wide and grading their artistry I go for an extremely rudimentary rating method; I ask myself one question, 'can I listen to it all the way through without, a) falling asleep and/or, b) getting annoyed?' If the answer is affirmative, I give it a good grade. If I can’t stand it, I consider it a piece of shit. Ahem,  sounds pretty lame, doesn’t it?

 

I know this much. Rat King is a two-piece experimental/ambient/industrial music project based in Chennai, India. Both musicians come from a death metal background, which can be clearly heard in some passages of Larva and which subliminally infects the whole recording. Even those moments of Eastern (the bio calls them ‘tropical’) tones have that metallic spirit that is present all over ambient music. What is outstanding about Larva is how each song stands on its own and is clearly demarked by an end and yet, how Larva in the end comes together and doesn’t seem like a disparaging experience.

 

‘Cause with music like this the danger is ending up with an album that sounds like an awkward hodgepodge of broken ideas.  On “Hour of the Wolf” Rat King attach themselves to the most common denominator and flatten everything in sight with a mixture of black metal and industrial music. The angle is futuristic, the guitars are killer. “the Duel” is eerie. Like an African tribe that just woke up in a space ship and went for a stroll through its compartments, the song is a journey of discovery. “The Wake” has more power and drive. To Rat King’s credit the drums sound organic and the rest of the music is dramatic and cinematic. 

Larva
is like a soundtrack to Alien. What’s not too futuristic sure is uncomfortable, like germs that slowly develop through the crevices, these rodents are magnifying the sounds of the reality we don’t want to face.

 
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