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record reviews saros  

FOOD

S/T
(Molsook)

IMPURE WILHELMINA
Prayers and Arsons
(Get a Life!)

SAROS
Acrid Plains
(Profound Lore)

REVENGINE
Plan Your Escape
(Self Released)

MURDER PRACTICE
Prophecy of Doom
(Self Released)

BUCKSHOT FACELIFT
Anchors of the Armless Gods
(Old Souls Collective)

INFERNAL 
STRONGHOLD
Godless Noise
(Forcefield)
 
ALUNA
Fall to Earth
(Catacomb)
 
MORE REVIEWS

SAROS
Acrid Plains
(Profound Lore)

What Saros presents sounds like black metal for a more calmed and not so neurotic generation. For an idea of how Acrid Plains sounds like, take what you commonly consider as black metal and substract the crazy, the anarchy, the out of control childishness, the zero production values, the in your face please-fucking-look-at-me excesses, and add sheer musicality, a decent recording sound and a clear and clean mix plus a sense of command that’s expressed through the sheer lack of peeks and valleys in this music. To some, that may take away the whole spirit of black metal, so perhaps we shouldn’t consider Saros a black metal band.

 

Their sound is indeed so clean and streamlined, at times some of these songs remind of Queensryche. You know how that band mid career played nifty prog rock without the finger noodling and ridiculous excesses? That’s what Saros does. Their songs never overwhelm. They are long but simple and stated. The guitars are fatless. The solos are impressive in their fluency and cleanliness. Chris Degarmo couldn’t have played it better. This dude can shred, but what’s the point of doing that if you can service the song instead. On top of that, the drums have color, but you couldn’t imagine Neil Peart with so few cymbals. And the vocals of Leila Abdul-Rauf (also of Amber Asylum) are a mild grunt, a biting throat that surprisingly, often turns soft and comforting.

 

The lush aspect of Saros' music becomes more evident as we pass the first half. Abdul-Rauf makes more frequent use of her lusty vocals and the music is frequently gentle, moving at an elegant mid pace and recalling the patience and niceness of shoegaze. “Us the Tyrant Falls Ill” is as metal as it is polka. Crystalline acoustic strumming, angelic vocals and dramatic cello aside, I could wake up to this with not one bit of shit mood. If there is anything I find at fault is the band’s total reliance in gentle melodies. It may be more of a personal issue but when Saros play heavy, they do so with such calm is sometimes unaffecting. If you are fine with gentle metal though, then this may be one of the best releases of the year.

 

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